Kate Wilson, founder and MD of Nosy Crow, landed at the Lincoln Book Festival on Saturday 14th May.
Refusing all offers of food and rest, Kate flew up the stairs and perched on her seat to talk about what Nosy Crow was all about.
Update! View the trailer for Nosy Crow's new app - Cinderella
The first stirrings of the fledgling publisher came when Kate observed potential buyers turning a page and then turning back before going on. Okay if this happens once, she says, but when it happens time after time, you know that maybe something's not quite working with the way the story is working. She moved on to publishing and business roles as MD of Macmillan and Scholastic and decided after 23 years of publishing books for other people that she’d like to publish some of her own.
This drive to create and get children reading for pleasure through story making is the wind beneath the wings of Nosy Crow (sorry). These ideals are backed by some sharp analysis of what does and does not work in children's publishing and how she could make Nosy Crow the publisher that flies.
Kate works with a small team in a smallish office but within polite cake-eating distance of one another. Nosy Crow produces children's fiction (including board books, novelty books and picture books) for 0 – 12, and highly-interactive apps for children from 2 – 7. They’ll publish 23 print books books this year and 5 apps.
Small Blue Thing, a supernatural romance for 11 plus with NO VAMPIRES. Amongst her impressive aviary of authors is Philip Ardagh with The Grunts and Axel Scheffler's Pip and Posy books.
Some work is produced in house, board books like the Noodle series of touch-and-feel board books with furry ears and sparkly bits. The apps are likewise produced in house but the ideas and story lines could well come from a writer well-versed in this product. Nosy Crow’s first app, The Three Little Pigs, has been published to wide acclaim.
So what's Nosy Crow about?
THE BIG QUESTION is always 'who's it for?' Nosy Crow doesn’t publish a book or an app unless they have a clear sense of the core readership. Kate's not thinking London, literature and reviews, she's thinking Wigan, literacy and real children.
Selecting the good from the bad using a set of consistent standards and values so that the Nosy Crow brand has real meaning. Kate also stressed the publisher’s role in protecting authors’ and illustrators’ rights in a digital environment in which piracy is rife.
Kate thinks that the internet brings to publishers – and to authors – an opportunity to engage with readers in a way that’s never been possible before. Instead of publisher PR being about SHOUTING at an unseen audience, social media provides a way to engage audiences in a two way conversation, and Nosy Crow is active on its website, on Twitter and on Facebook. It's an exciting map of interconnecting participants in the publishing process – the author, the publisher, the bookseller, the critic (everyone's a critic now) – all connecting with one another online. Nosy Crow will go where other publishers fear to tread! Kate wants her company to be an informed voice in children’s books and will talk about books published by other publishers too. A recent Easter and Spring booklist contained just two Nosy Crow books amongst the many others suggested by Kate and her Twitter followers.
|Kate (right) poses with groupie and leading stalker.|
|Speaking at the SCBWI event.|
|Kate Wilson's t-shirt says it all!|
a. Commission authors and illustrators to make Nosy Crow’s ideas a realityFor novels and texts, really good writing is key, and if Kate and if the team see the potential in a submission they will sometimes work with the writer to refine the story. Similarly, if Kate and the team see the potential in even a single character sketch from an illustrator, they’ll work with that illustrator to develop a project.
b. Are willing to do some heavy-duty editorial shaping
Nosy Crow has already spread its wings and collaborates with international partners: Allen and Unwin in Australia, Candlewick Press in the US, Carlsen in Germany and Gallimard Jeunesse in France.
So What is Nosy Crow Looking For?
ALWAYS REMEMBER – Who's it for? Nosy Crow will want to know!
- Fiction for 0 – 12 but a lot of the youngest book texts are produced in-house and NOT YA. “Mum-friendly” books – no drugs, sex or gritty or gratuitous violence
- Strong commercial concept or character-led series novels and picture books
- Brilliantly-written stand-alone novels and picture books
- Great illustration with child and parental appeal – nothing too dark and arty
While some of their future apps (and at the moment, Nosy Crow is developing only for Apple devices) may be based on books, Nosy Crow is also commissioning stories that start as apps, rather than start as books, so is interested in working with authors and illustrators who are excited by, and understand how touch-screen devices can enhance and extend the story-telling experience. Nosy Crow doesn’t want coders, at this stage: they have their own, so they are not expecting to see a ready-made app. They want to see really great ideas and really great art (and want art created digitally in layers for this medium)
Nosy Crow's acclaimed Three Little Pigs app. If you can't see the video, you can view it on YouTube.
There are submissions guidelines on the site, but Kate recommended online submissions, suggesting that illustrators send link to their digital portfolio
Kate has given up the slower flapping wings of big traditional publishing for the zippy repsonsiveness of the smaller bird. She's in touch, creative and passionate about story. Kate wants Nosy Crow to be different and to make a difference. I'm sure it will.