Showing posts with label The Arvon Foundation. Show all posts
Showing posts with label The Arvon Foundation. Show all posts

Thursday, 5 April 2012

How Big Is Your Slushpile?

By Maureen Lynas
Are you embarrassed by the size of your slushpile? Do you hide it, ignore it, lie about it? DON'T! Be PROUD of it! SHOUT about it. I'm telling you now - MINE IS HUGE!
Why am I telling you now? Well, after reading Candy's latest blog post on the trauma of completing her second book, and seeing ex-lurker Tamsin's comments about writing for six years and not giving up, I was inspired to come clean and reveal all. This is my writer's journey. From 2000 to 2012.

THE WRITER'S (HERO'S) JOURNEY



THE ORDINARY WORLD (2000)
My world was teaching in a primary school. A story lover, child lover, OFSTED hater. A wanna be writer of children’s fiction.

Wednesday, 9 November 2011

Bloodied and Bandaged: My Arvon Experience

by Jo Wyton

Last week I attended an Arvon Foundation course in the rainy depths of Shropshire, and I will just say up front that it was fantastic!
My course ran at the John Osborne centre at the Hurst
For those unfamiliar with Arvon, it’s a charitable foundation set up in 1968 by John Fairfax and John Moat, both close friends of Ted Hughes. They have a number of houses dotted around the UK, all in the middle of nowhere in the beautiful and mercifully remote countryside. Their courses cover everything from Writing for Beginners to Writing for Games and Writing Poetry. Each course is led by two or three (if you’re very lucky) published authors, with the occasional visiting author popping up during the week.
See - middle of nowhere!
In this case, Linda Newbery and Celia Rees were our Writers in Residence, and Gillian Cross was the visiting author. (Excuse me whilst I steady myself.) Each morning consisted of workshops, with one-to-one tutorials in the afternoon and various discussions (and sing-a-longs, for that matter) in the evening. Our group ranged from 17 to, well, that would just be rude, wouldn’t it?

The lovely Celia Rees (left) and Gillian Cross (right)
Now it’s a strange kind of place, an Arvon centre, where everyone takes it in turns to cook and wash-up, you find yourself sitting next to Linda Newbery at dinner, and the toilets are sponsored by Dame Maggie Smith. (No, really.)

Arvon Centre folk get imaginative as often as possible!

On the inside of the downstairs toilet...
(thanks to Becca Beddow for the above photos!)
Most people arrive at an Arvon course a little bit bloodied in some sense of the word – it might be that they’ve had writers block for a year, or that their lives have drastically changed and they’ve decided to pick up a pen (or a laptop) for the first time. It might simply be that their plot or first chapter isn’t working.

Whatever ailment people arrived with on day one, I am certain that by the time we all left, they were a bit closer to fixing it. My own particular ailment is confidence in my writing, but to be honest I mostly just wanted to learn some new tricks and meet some new people.

The bloomin' brilliant Sheena Wilkinson (whose debut novel Taking Flight is scooping up the awards!) and Philippa Francis (writing as KM Lockwood)
Becca Beddow trying to concentrate despite me taking photos of her!
It’s safe to say that new tricks a plenty were offered up and gratefully received, and I did indeed meet plenty of new people, many of whom I will definitely stay in touch with. But mainly I just came back feeling ready to tackle anything!

Arvon provides the chance to surround yourself with writers, every one at a different stage in their quest to transform into the Lesser Spotted Author, and maybe to rediscover what it is that makes them love what they do. It also, coincidentally, gives you a peaceful week away from your emails, telephone and the general rigmarole of daily life.
No e-mails here, thank you very much!

I picked up some great tips and advice during my Arvon week – from everybody, I think. Gillian Cross spoke of the serendipity of writing a novel on Wednesday night, and then the following evening another guest provided me with my own serendipitous moment. Linda Newbery listened with patience whilst, with great ineptitude, I tried to explain my plot, and somehow she even managed to follow what I was saying enough to help. Celia Rees welcomed me to my tutorial with the words, “Well this is all good, but THIS is a prologue. You don’t need it.” So at least one darling was murdered this week.
Celia said something else that I’m certain is going to stick with me. She said, “Don’t just write a novel. Write your break-through novel.” (Or something to that effect. I was generally thinking ‘Oh my god, I’m sitting next to Celia Rees’ and trying not to hyperventilate at the time.)

Celia Rees (left) and Linda Newbery (right) planning our next punishment. I mean, workshop.

The tutors were all more than generous with their time and experience, as were the other people on the course. Everyone was so supportive, which isn’t unusual for children’s writers, but it is unusual to experience it for almost a week!

By the end, the atmosphere in the house had descended into friendship, and our last night was full of people reading their work and singing folk songs over a glass of wine. For me personally, it was also full of a trip up the stairs, a couple of bags of frozen peas (one of which ruptured on the stairs – apologies lovely Arvon people), and the wonderful Gita, who bandaged me up.

Just in case you needed to see evidence...

Arvon courses mean different things to different people. But everyone went away with something new, something to work on, and I reckon everyone’s writing will be all the better for it.

Sign me up for next year.



Slushpilers go to Arvon:



Thursday, 2 June 2011

The Arvon Experience

By Maureen Lynas

It is possible that my experience of going on a Writing for Children, course at the Lumb Bank Arvon Centre, in 2010, was unusual. It is possible that I am prone to exaggeration.

It is also possible that I live a very sheltered writerly life in my loft with only my keyboard for company, and I succumbed to ‘Writer’s Euphoria’ in the presence of seventeen other children’s authors. But I don’t think so. Because I wasn’t the only author who had tears in her eyes as we said our farewells on the last morning. Some authors even threatened a ‘sit in’, but were encouraged by the lovely staff to, ‘Go home!’
So why didn’t we want to leave?
Could it have been the accommodation and setting? 
Lumb Bank is a wonderful old building perched on the side of a hill near Hebden Bridge
The isolation and fantastic scenery make you think you are in another world, completely cut off from your normal life.
 The room we worked, and ate in, had a huge table, big enough for eighteen to sit around comfortably and had fantastic views out over the valley. There were lots of comfy sofas in the sitting room, and the barn conversion, and we were encouraged to treat the place as our own for the week. Which we did.



The bedrooms are deliberately furnished sparsely. 










This is not the Hilton, or even a Premier Inn, in fact one student referred to her room on first viewing as ‘a pokey hole’ but had to be dragged kicking and screaming out of her‘pokey hole’ on the last morning. It can be cold up there and they recommend warm clothing – they even provide hot water bottles. But I would recommend taking your own, just in case.
All in all I would describe the centre as homely, and very relaxing. But I’m not sure that’s why we didn’t want to leave.
So maybe it was the tutors?
I don’t know if we were just lucky but our tutors were extremely supportive, non-judgemental and generous with their time. And as well as running (and participating in) the workshops they both held a one to one session with each author to discuss work we’d brought with us. They are prolific authors: Malachy Doyle writes a range of books from picture books (The Dancing Tiger, When a Zeeder met a Xyder), to teen fiction, (Georgie and Who is Jessie Flood); Julia Golding writes for older children Cat Royal, Companion Quartet, and Darcy Lock. You can see the full range at their websites, www.malachydoyle.co.uk, www.juliagolding.co.uk
Then we had the fabulous David Almond as guest speaker who oozed calmness and confidence and treated everyone as if they had already reached their goal of becoming authors of children’s fiction. I was shocked to hear it had taken him twenty years to get his first book published but reassured too - for me, it meant that I didn’t have to feel despondent for at least another ten years! He was inspirational.
But I’m not sure that was it either.
So, was it the structure of the day?
Slaving over a hot workshop from 9.30 until 12.30. Lunch, then time out to write, walk, talk, think, doze, talk, read, doze, write, talk, chill until 7pm. Sit around the huge table and eat the tasty concoction created by today’s group of volunteer chefs (more about cooking later), drink wine, then an evening activity of readings by the tutors or guest speaker. There was the possibility of a night out at the pub but we changed this to an evening of ‘Interview the Author’ that I was delighted to host. I would like to thank the tutors for their openness in answering such in depth questions as ‘Reliant Robin or Bicycle?’ and ‘What is your favourite six syllable word?’ (Thank you to Clare for those two suggestions!) Very enlightening.
Or was it the food?
The food was delicious. Help yourself to breakfast of cereal, toast, or fruit. Lunch was laid out by the staff – lots of cheeses, meats, breads, salad, etc. Plus cake. Then we had a rota for cooking the evening meal. We signed up into groups of four; each group washed up one night and cooked the next. All of the ingredients were provided, along with very clear instructions, and a member of staff was on hand to advise and rectify any disasters. Not that we had any!
So was it the workshops?
Julia and Malachy’s brief seemed to be to help us become writers in general, not just writers of children’s fiction. To help us to find our voice and to challenge us to think in different ways. 
To say I was nervous of producing work on demand would be an understatement, and to say I was alone in my stammering and heart racing would be a lie. But watching the confidence of the group growing, watching the trust developing, listening to seventeen other voices producing seventeen different responses to identical tasks was amazing. It sent out a clear message – your best writing will be written in your own voice. So let it out.
Speaking of confidence – we were told at the initial, ‘Hello, Welcome to Lumb Bank, Have a Large Piece of Cake, meeting, that on the last night we would all perform one piece of work from the week. There were big gasps of horror and much blood draining from many faces. Then, by the time Friday came, we were moaning and complaining – Only one! Are you sure? I have at least three! I was not the only one to release my inner exhibitionist, and that was before the wine!
And also speaking of confidence – people laughed at my work. Which was brilliant! As an author of funny fiction it was a relief to know that I was hitting some giggling bones. Excellent.
Maybe that was it then. Or maybe it was the students.
It started out well. Lots of smiles. Lots of, ‘Where have you come from? Really? All that way? And what about you? Really? All that way. Gosh.’ And then it just got better and better. I can honestly say I have never laughed so much in one week in my entire life. It was a girls only group, apart from Malachy, and people bonded over writing, bonded over walking, bonded over books, bonded over wine, bonded over their personal histories, their children, their goals, their future. We were so bonded there was no need for glue. And we have kept in touch through an email group and friends are meeting up all over the place, Paris, York, Birmingham, Edinburgh and Newcastle. And lots of us have become members of SCBWI and are meeting up at the Winchester Conference.
Was it worth the money?
Definitively. I would have paid again to stay another week. Arvon has just received extra funding so for the first time you can apply for a full grant and they encourage people to apply.
Would I go on another – just let me pack my bag!
So, I think it was the whole package, the whole Lumb Bank Experience that took a group of wannabe’s and sent them back out into the world with the following message -  Find out why you want to write. Find out what you want to write. Find out who you are writing for. And write!

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