Friday, 6 September 2019

Launching Kitty


On Saturday I was in my favourite book shop, Waterstones Milton Keynes, launching a new series from OUP by myself and Jenny Lovelie. It's a highly illustrated series in two colour for young readers from maybe 5+.

Kitty is a girl with cat-like superpowers and she has to learn to use them wisely. She has heightened senses and great agility, so she runs across the rooftop at night with her cat crew. The first book, Kitty and the Midnight Rescue, sees her rescue a stripy ginger kitten called Pumpkin. In the second book, Kitty and the Tiger Treasure, she solves a mystery when a precious artefact is stolen from the city museum.

As a long-time cat lover, this series has been a joy to write. It was also wonderful to launch it in Waterstones MK as they have been supportive towards me for a really long time and for that I am immensely grateful.

I really hope young readers will love this series. I ran a crafty activity making cat masks (just like Kitty's!) on the day and enjoyed seeing everyone getting very creative.



It was also amazing to have the support of friends. I was so so happy to have a few Slushies and other writer pals there looking suitably cat-like!



My four week old baby mostly slept through proceedings in spite of losing one of her kitten socks. I have a suspicion that a few people may have come to see her as much as me!

The third book, Kitty and the Sky Garden Adventure, will be out next year.

Friday, 30 August 2019

Five Top Tips to Prompt a New Writing Idea by Kathryn Evans



It's almost September, the start of a new academic year, so here are some ways to kick start some new ideas.
TOP TIP ONE - What If?


via GIPHY
Ideas come from everywhere.

With an open mind you can pick up ideas like a magpie picks up shiny things.
The ideas behind my book More of Me came from:

1. Looking at old photographs of my daughter and wishing I could have kept all the previous versions of her - toddler Emily, six-year-old Emily, twelve-year-old Emily - maybe not fifteen-year-old Emily, that version was quite hard work.

2. And from observing the weird ways some insects reproduce - notably, aphids - what if that was exploited by science?

3. Remembering what it was like to be sixteen and feeling your life was being controlled by your parents - what if it really was?


These seem like random ideas but they came together to make an award-winning novel that was nominated for the Carnegie medal.

My new novel, Beauty Sleep, came from similar apparently disparate thoughts.

1. What if a girl from the eighties suddenly had to cope in a world where she's inundated with social media?

2. What if homelessness became a crime?

3. What if a great beauty product held a dark secret?


You'll see those two small but important words that are at the heart of every writer's work:

What If?

So that's my first and most important tip - build the question what if into everything you see/do/hear:

What if I'm doing the washing up and the drain expands and sucks me in?

What if I go to bed and when I wake up, I'm in a different century? ( I might write this one!)

What if my puppy gets bigger and BIGGER and BIGGER?

You get the idea. Hopefully.

Top Tip Two- If you're stuck, cheat.


via GIPHY

Use story prompt websites. They aren't really cheating, they're just lighting a match under your ready to burn tinder. Reddit is great :

https://www.reddit.com/r/WritingPrompts/

But there are dozens of these sites - have a google and find one that works for you.

TOP TIP THREE - Use some Imagination tools.

Okay, this is kind of like Top Tip Two but I just confessed to cheating and you can NEVER trust a writer.

Story Cubes: I've never used them but I know someone who has and got a book deal out of it! Jill Atkins threw a torch, an open book, and a keyhole. She wrote a story called Grandad's Magic Torch and Franklin Watts are publishing it for their Reading Champions series in April 2020. Jill has written over 100 books, so if it's good enough for her, it's good enough for me.

Prompt Cards: I have a stack of cards with about thirty characters, inciting incidents and decisions a character makes to prompt in writing workshops and they ALWAYS spark loads of ideas.  It takes the pressure off to be given a trigger and quite often the writer rejects the card in favour of something else it's sparked off.

Other Writing: Dipping into history books,  guides for tourist sites, science magazines, myth and legend books will all fire something in your brain, guaranteed. Even practical writing books can help, Marie Basting, author of the fabulous debut Princess BMX, says:

When I was unsure where to go with new project, I read 'Stealing Hollywood' by Alex Sokoloff which really got me back on track.

TOP TIP FOUR - Talk to other writers.

Teaming up with other writers is a great source of support, encouragement, and stimulation. I was stuck on a story when I went to my monthly SCBWi writers group and they made a couple of suggestions that turned my story around. Give the girl a friend and give her a magic way out. I tore up the script I'd just finished and started again - it's SO MUCH better.  I haven't followed the advice exactly but their interest in my story kick-started something much more fun and imaginative.

I also asked my writer pals on twitter what they did to fire their story engines.

Mo O'Hara, the author of the Zombie Goldfish books, is a people watcher:

I people watch and listen to snippets of conversation. There is always a story.The other day I saw a really tough looking teenager in a hoodie with a giannormous cuddly toy. He was prob on a call but he looked like he was arguing with the Panda...story!
GR Dix takes himself off for a trip:

I drive around the countryside / look at a map - daft village names = character names = inspiration!

As does Nina Wadcock:

Visit old places or graveyards and wonder whose stories are beneath my feet.


 Top Tip Five - Lower your Crap-o-meter.

This is possibly the most useful tip I've ever been given and it was from our very own award-winning, best selling, Teri Terry. It's okay to write rubbish sometimes.  You can edit later.

Get it writ, then get it right.

Don't hamstring yourself by trying to be perfect from the start. No book is perfect from the off. It's like expecting to chisel out the statue of David with the first couple of hammer taps. It's not going to happen. Take off the pressure and have some fun with your writing.


Happy writing everyone!

via GIPHY


Kathryn Evans latest book, the pacy, gripping thriller ( Sunday Express)  Beauty Sleep, is out now.

Friday, 23 August 2019

Are You Burning Out?

By Nick Cross

Photo by pcorreia

As I write this, it’s Wednesday lunchtime, and I’ve just realised that I need to post this blog on Friday. It’s my lunch hour at work, and I’ve spent the morning in meetings, answering emails and interviewing candidates for a job. This afternoon, I have three hours of back-to-back workshops. In the back of my mind, I’m stressing about the fact that I only have a week and a half to finish the illustration package for my novel, so my agent can start submitting to publishers. On top of that, my house is full of plumbers, on an ever-more-expensive quest to work out what is wrong with our central heating system.

I tell you all this not to gain your sympathy, but to point out that my life is quite busy, as I’m sure yours is too! As writers and/or illustrators in the modern world, the majority of us are either freelance or propping up our creative careers with a day job. But because of this, we need to be extra careful to protect our mental health, especially from the dangers of burnout.

What is burnout? My employer, Oxford Dictionaries, defines it as:

Physical or mental collapse caused by overwork or stress

Which sounds very dramatic. But in actual fact, burnout tends to come on more gradually. This article suggests burnout typically involves:

Emotional exhaustion, cynicism or detachment, and feeling ineffective

For a long time, burnout was a concept more associated with people working in ultra-high stress environments like financial trading. But this year, there have been a number of much-discussed articles about how the modern gig economy affects workers, and particularly millennials. In fact, when I did a Google search for “millennial,” “millennial burnout” was one of the top suggestions.

It was a Buzzfeed article from January that kicked everything off. In it, millennial Anne Helen Petersen talks about how she found herself unexpectedly paralysed by menial tasks, and her disbelief at the idea of burnout – because she was still getting so much done! But this overwork culture (instilled by parents from an early age), is what drives millennials to feel that they are never achieving enough, even though they are working all the time. Sound familiar to anyone?

Photo by Derek Gavey

I myself have struggled with burnout for a long time, though I didn’t know that was what it was until quite recently. It was first triggered about ten years ago when I was working from home, doing a job I hated. Aside from a couple of high-stress conference calls each day, it felt like no-one was monitoring what I was doing, or even cared what I achieved. I become demotivated and sluggish, doing less and less each day. My writing career seemed like a lifeline, and after I won Undiscovered Voices, I embraced that side of things, excited by the possibilities of leaving my awful day job.

Sadly, it was not to be. Not only did I fail to get published, but I discovered how insidious burnout is, how stealthily it infects every part of your life. Writing – the thing I had loved so much – became a desperate chore, and I struggled to put words on the page, even as my then-agent pressured me to deliver the manuscript. Full-blown depression followed, and I fell into a deep hole that it took several years to claw myself out of. As Anne Helen Petersen says, there is no getting better from burnout – it is a chronic condition. Even though I have since taken a much better day job and found my way back into writing, I regularly feel the demotivating forces pulling at me. I ask myself questions like “what’s the point?” and “why should I bother?” This often causes me to contemplate my own mortality, but rather than that motivating me to get on with stuff, it leads to a gloomy kind of pondering about whether one person can have much of an effect on our crazy world.

The nature of modern culture - and especially social media, with its endless facility for enabling comparisons – has certainly exacerbated the problem of burnout. Suddenly, the things in our lives that are supposed to reduce stress now actually increase it. Keeping fit and healthy has become a chore that fills up our already-overflowing schedules with gym sessions, yoga classes and quack “wellness” remedies. Even watching TV has become an exhausting experience, with a multitude of options and a new “must see” show popping up twice a week. A recent Nielsen report discovered that US adults watching streaming services are paralysed by choice, spending an average of 7 minutes selecting what to watch before every programme. We might mock the concept of FOMO (Fear of Missing Out) but it’s a very clear manifestation of the burnout culture, this idea that no matter who you are, no matter what you do, there is always something better you could be doing.

Photo by Remy Sharp

If any of the above has resonated with you, what can you do to reduce your risk of burnout? As with many misunderstood conditions, opinion on treatment options varies. One of the articles I cited earlier actually found that building resilience made burnout worse, not better! This was possibly because the pressure of trying to be resilient was yet another stress on already over-stressed individuals. Those who are self-critical perfectionists (like me) are particularly at risk of this. As a counterpoint view, I read an article from Psychology Today that claimed writers never really get burned out, because "they have a built-in reserve of mojo to draw from" and a "sense of deeper purpose that can mitigate the frazzle of life no matter what happens with their work out there in the world." Of course, those of us who aren't magical butterflies may wish to seek a more practical solution!

This article offers some good advice on steps you can take. Particularly, it encourages detachment from external validation and criticism (think rejection emails), and being smart in your approach to social media. Focusing on the process rather than the outcome is another recommendation - I am finding it useful recently to think about the work as an end in itself, with no expectations of what it might lead to. The publishing industry is capricious, and I have got myself into trouble in the past by making grand assumptions.

It’s hard not to compare ourselves to other people - I have been frustrated with myself this week, feeling that my illustration skills are not at the level of my peers. At least it has stopped me worrying about my writing abilities, I suppose! The truth is that we are all on a continuum, and there will always be people who we perceive as being happier, more talented or more successful than we are. But these are just perceptions, and dangerous ones too. The road to burnout is paved with distorted thinking and the idea that working really, really, really hard will achieve our life goals. Yes, by all means be persistent in your approach. But try to be kind to yourself too.

Nick.


Nick Cross is a children's writer/illustrator and Undiscovered Voices winner. He received a SCBWI Magazine Merit Award, for his short story The Last Typewriter.
Nick is also the Blog Network Editor for SCBWI Words & Pictures magazine. His Blog Break column appears fortnightly on W&P.

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