Author School Visits - Tip 1

by Em Lynas

I haven't done many school visits yet as my books You Can't Make Me Go To Witch School and Get Me Out of Witch School haven't even been out a year yet and I've been busy writing Help! I'm Trapped At Witch School! until this month.

But I have done a few and I'm learning what works and what doesn't work for me and so I thought I'd share because it might be helpful to all you authors out there who aren't ex-teachers and are feeling the fear of the school visit.

I've just been appearing at the West End Festival in Glasgow as part of their schools programme and it's got me thinking about the importance of dialogue to establish character from the outset for mg readers and how that helps in the creation of events.

Pre-published misconception - children coming along with their school to talks/workshops/performances will be familiar with the book.

The truth - This is unlikely. If there's been time, an organised teacher, and an available book then, yes they may have read some but mostly - not. They're coming along for many reasons, it might be a free visit organised by a festival, it might be they've picked me at random or because I'm local. Or because they need to tick the - we've seen an author box. Or it may be they are huge fans and can't wait to hear what I have to say. I just don't know what situation I'm walking in to.

So, as I'm planning I'm thinking - How do I engage the children (and teachers) and interact with them about a book they probably know nothing about? How do I talk about it without giving away any spoilers? How do I make that fun?

Well, luckily, You Can't make me Go To Witch School has illustrations by the fabulous Jamie Littler and so I based my event around them and talked about character creation with the aid of a simple Power Point slide show. This has a become even simpler with each event. I think I started at 25 slides and now I'm down to 8. It was also interactive for the first event - Noooooooo!

The slideshow is a sort of Who's Who at Toadspit Towers.

Here's a few characters with the relevant dialogue I read from the book.

Daisy Wart

Reluctant Witch and Awesome Actress.

“Granny.” I say it with firmness. This is definitely a hands-on-hips moment, so I put them there. “Chocolate, currently in my backpack, is a birthday treat. The Complete Works of William Shakespeare with pictures, also currently in my backpack, is a birthday treat. Money, in the backpack, is a birthday treat. Dumping me at witch school is NOT a birthday treat. I absolutely refuse to enter a dilapidated building named Toadspit Towers because I am NOT a witch!”

Ms Thorn

Lover of Strictness and Conformity

“Is you the headmistress?” asks Granny. “Is you Ms Toadspit?”

“I am not,” says the woman. “I am Ms Constance Thorn. Senior Teacher of Toadspit Towers. You may speak.”

Dominique Laffitte 


Thinks She Is The Best and Brightest Witch at Toadspit Towers
“Ms Thorn has appointed I dormitory monitor for I am the Best and Brightest Witch.” She points at the rosette on her cauldron as proof. “I have knowledge of everything in this school. If there is anything you want to know then ask I. And if there is anything you should know then I shall tell you. And if there is anything you do wrong, I shall tell you that too. You are lucky to be sharing the dormitory of the youngest Best and Brightest Witch in the history of Toadspit Towers.

Jessica Moss

Feeling The Fun And Loving Her Life!

“What’s happen— Hey, a new girl,” she says, spotting me. Her eyes light up at the sight of the cake. “Ooh, cake. My mam can’t bake cakes. They go flat in the middle and come out like biscuits. But that’s OK because I like biscuits. And pie.”

Once the children had been introduced to the characters we chatted about who was going to be for or against Daisy. Who was going to help her to escape from Witch School and who was going to get in the way.

That's when I realised how important first impressions are to children in mg and why the first words spoken are so important. They completely 'got' each character from the way they spoke, the words they used and the attitude. It was a light bulb moment even though I really should have known that all along but as I was writing the books I was just writing for me, creating individuals who I wanted to spend time with. I wasn't always thinking about the reader and how quickly I need to establish personality. I will now though.

We were able to go  deeper into the characters but I'll blog about that another time. This could end up being a series.

So I learned something on that visit as well as having a ball with the kids making up new characters. I'm already trimming and adjusting ready for the next one and I'm sure I'll learn something on that too.

If you don't have illustrations you can still use images. You could find three images for each character and ask the children to choose the one that was the most likely to say the dialogue. That could be fun!

Em

@emlynas on twitter - follow me!

Em is published by Nosy Crow and rep'd by Amber Caraveo

Buy My Book - But Only If You Really Want To.

by Em Lynas

I am so lucky. My first book You Can't Make Me Go To Witch School came out in August 2017, my next book Get Me Out Witch School is out in April 2018 and the third in the series Help! I Am Trapped At Witch School! is out in September 2018. But that's not why I am lucky.

Prior to the launch in August I prepared a Notes From the Slushpile post for You Can't Make Me Go To Witch School but it didn't go live because Jo Wyton wrote a surprise post, a big squishy hug of a post about me and my book baby. 

Then the amazing hat extravaganza began on facebook and twitter thanks to the fabulous George Kirk, Candy Gourlay and many others. I think Paul Morton put them all together.

I really can't thank them and all the other hatted folk enough, you really did get the message out there that the Witch School books are- All About The Hat! 

But I didn't get to post my book launch post so I'm sharing it now because the launch date of book 2 Get Me Out Of Witch School is coming up fast. In light of the awesomeness and madness of the first launch I think it's quite funny. This is what I would have posted.

The Dreaded Book Promotion! by Em Lynas

A long time ago I was persuaded to have a Tupperware party. I was supposed to drum up business, drag friends in off the street and get them to spend money they could probably ill afford. My Tupperware Party pitch went something like this

Er, I'm having a Tupperware Party but you don't have to come if you don't want to.

Every home had one!

Then, for some odd reason, very few friends came. The woman running the party (my best friend's mother) was not pleased and she was not the sort to hide her displeasure well. However, she cheered up when a newly married neighbour ordered a whole pile of stuff. Phew. I ordered a Party Susan out of guilt. It was probably the most expensive item in the catalogue (It stayed at the back of the cupboard until it turned yellow.) So, best friend's mother was placated.

But then the neighbour returned, within minutes of leaving, to cancel most of the items at the behest (great word) of her husband. They couldn't afford them. I told her it was OK, that she didn't have to buy anything if she didn't want to. My best friend's mother was not best pleased, yet again. Honestly, there was no pleasing her at all. I think she went to counselling.

I tell you this to show how bad I am at asking people to part with their money. After all, they could have a cappuccino and a cupcake for the price of my book.

link to lovereading4kids

So, I have been dreading trying to market You Can't Make Me Go To Witch School in case my pitch ended up something like this – Er, I've published a book, but you really don't have to buy it if you don't want to.

I fear this is an attitude that will not generate many sales and is not listed as a recommended technique on any Marketing Degree. But as we've discussed on Notes from the Slushpile in the past it's really difficult to get the balance right between saying, 'Hey! I'm having my book birthday', and 'You MUST buy my book.'

The first, 'Hey! I'm having a book birthday' is exciting. But the second, 'Buy my book' is so bossy and rude and like poking people with a big pointy stick that's been sharpened to be extra pointy and painful.

Then there's the launch party. Everybody has a launch party. So I should have a launch party but – see above - what if it's a repetition of the Food Container Catastrophe? 

What if I create a fantastic flyer to hand out but say, 'Here's a flyer about my new book but you don't have to take it, it is quite heavy and your bag looks full.'

What if I post about the party online but say, 'Come to my book launch. There'll be free wine and nibbles and you really are not under any obligation to buy my book just because you've eaten all of the cupcakes.' 

What if I take copies of my book to the launch venue but hide them under the table at the back. Ready to hand out if anyone should ask what the point of the party is.

What if I have a table in a corner with the books and a notice, 'Please take one and make a donation to the starving author only if you can afford it.'

What if I talk about anything BUT my book to anyone who came.

  

Things I would be comfortable saying:

How's your mum?
Did the plumber come?
Yes, Jamie Littler's images are amazing! Look at the one of Twink and Jess hugging, they're so sweet.
How was Menorca/Cyprus/Cornwall?
Yes, it's been fabulous working with the Nosy Crow team. 
What did you think of (insert authors name) 's book?
You don't have to stay long, you know. 
Yes, Agent Amber is fabulous, she's been amazing. 
Don't bother buying my book now, you have a drink in one hand and a Toadspit Towers titbit in the other, how could you possibly buy my book now? You're not a juggler. 

Things I would not be comfortable saying:

Anything about my role in the creation of the book. I would mumble thanks if anyone said anything complimentary and change the subject.

So, I thought, 'Maybe I need a book friend. Someone who knows how hard I've worked, someone who knows how long I've taken, someone who understands the suffering, the emotional turmoil, that is the roller coaster journey to becoming a writer.

What an excellent idea! If only I felt comfortable asking – 'Would you like to help promote my book?' I know I would have added the caveat, 'You don't have to.'

Ah well.

The End.

So that was it - my You Can't Make Me Go To Witch School book launch post, but it turns out I didn't have to ask for help to promote my book baby. My friends, my agent, my editor, the team of Nosy Crows were amazing at 'doing it for me'.

Big hugs to all and an enormous THANK YOU!

And, just in case you're interested and have a bit of spare cash that isn't required for cake and coffee, here's a link to the next book.

You can Pre-order from Amazon if you want to.

Or you could get it from a library.

Libraries are good.

The Importance of Finding Awesome People

By Jo Wyton

Maureen Lynas is one of those people. You know the sort.

You appear at a conference and suddenly someone’s behind you and there’s a pair of arms around you, but no need to wonder who it is - it’s obviously Maureen. You need some encouragement – it’s OK, Maureen will reply to your anxiety-ridden Facebook post. You need a smile – it’s OK, Maureen is right over there and she’s already heading your way. You need advice on a plot, a character, an exchange with an agent, a book title, a dispute, a pondering – don’t panic. Maureen's got your back.

And whilst she’s doing all that and supporting everyone and generally being everywhere at the same time and always her kind, warm self, Maureen is also working her butt off. Learning. Making mistakes. Trying new things. Over and over again. Evolving, never content to stay still. You try to pay attention because she seems to be navigating the publishing industry with all the grace you’ve never managed to summon, and you’re certain that what you are learning from her will come in handy.

And whilst you’re watching, Maureen is working, working, working.

One wonderful day in London town, you sit opposite her in a bar and she has this quiet smile on her face and you are instantly excited on behalf of this person who is always so excited for everyone else, and she tells you that she’s spent the last two days meeting multiple publishers, and that they all want her book.

And from that moment, marvellous things begin to unfold.

Bowie gets it.

You? You get to absorb it all and learn from it and be inspired by it. You get to watch all the pieces fall into place and see the spot every part of that learning curve has been leading towards, all this time.

Over on Facebook right now, there is a proliferation of people wearing multi-coloured witch hats. Go find them, they are brilliant. And they're there because Maureen has lots of Maureens in her life, too (in this case being herded in the right direction by the hat-tastic George Kirk). And today, they are celebrating the publication of Maureen’s first book: You Can’t Make Me Go To Witch School! 

Everyone needs a Maureen in their life.

As a writer, you need several.

Find them. Pay attention to them. You and your writing will be better for it.

(Congratulations, Maureen. You are really quite splendiferous, you know.)

From the Notes of the Slushpile crew (above) ... and all these others (below)

Who Is Driving Your Story?

By Em Lynas

When I first started writing I was under the impression that the protagonist was in the driving seat and I wrote mainly from that POV. I thought that they wanted/needed something and everyone else was pretty much there to either help or get in the way. That their story was the most important story in the book.

I've learned better. After all it's the wants/needs of each of the other characters that establish the big world and small world scenarios thus creating a space for the protagonist's story.

A protagonist has nothing to fight against or engage with if the other characters don't act on their desires.

WARNING! SHAMEFUL SELF PROMOTION!

For instance, In the soon to be published (Yay!) You Can't Make Me Go To Witch School! (By me!) Daisy is destined to be a Shakespearean actress. Nothing and no one is there to stop her. She will perform her Bottom, get another part, then another part, learn her craft and eventually grab the Oscar and make a tearful speech about all the help she's had. That's the story she's in the diving seat of, and the car is a slow moving sedan going in a straight line.

Pitch that to an agent!

So, another character has to put a spanner in the works, take the wheel, and send the car down a bypass.

Introducing - Granny Wart.

She dumps Daisy at Toadspit Towers School for Witches. Putting an end to Daisy's dreams of stardom. But why would she? Granny has to have her reasons. She has to be motivated by something. Love, desire, hate, selfishness, greed, etc. She needs a backstory that impels her to leave Daisy at school and then, Ms Sage, the deputy headmistress, needs a backstory which impels her to keep Daisy at school. Which means Daisy is then impelled to fight against them both.

The motivations and desires of others pushes the protagonist into their story. 

In Harry Potter, Mr Dursley prevents Harry from receiving his Hogwarts letter. His motivation is driven by a strong dislike of magic and magical people, and a refusal to allow Harry to engage in that sort of abnormal behaviour. So when Harry meets Hagrid, he has no desire to stay with the Dursley's and enters Hogwarts.

A beautifully illustrated version from Chris Riddell

In Francis Hardinge's The Lie Tree it's Faith's father's abnormal behaviour that triggers her actions through the book. I don't want to give any spoilers but it would be a book about a boring archaeological dig if he didn't have a secret to hide, giving her a secret to uncover. I loved it.

In Hamish and the World Stoppers by Danny Wallace, illustrated by the uber-talented Jamie Littler (who just happens to be my illustrator too) something is making the world stop. If it wasn't, then Hamish's dad would not have gone missing and Hamish wouldn't have a mystery to solve. Who or what is that something and what's their motivation for doing it?

In Anne of Green Gables by L. M Montgomery Marilla and Matthew are motivated to adopt a boy who can help on the farm because of Matthew's heart problem and they end up with Anne. The complication being she's a girl not a boy and so, because she doesn't fit their original motivation, they reject her. So she has to fight to stay.

In the excellent Netflix series Anne with an E Matthew and Marilla's backstories are given room and we see why they react to Anne in the way they do. We see what they lost and how much they gain by having Anne in their lives. Personally, I think the story is deeper for that. Purists may not agree.

I've filled in lots of character creation sheets in the past but they often focus on the superficial e.g. what they look like, what they're wearing etc. Please do share if you have any links to character creation sheets based on discovering motivations and personalities.

Meanwhile I'm asking these questions about all of the characters in my books.

How did they get to be the person they are at this moment in time?

What went right/wrong for them?

What do they want in the future? For themselves, the protagonist and the other characters?

What motivates them - status, money, value, safety, learning etc

Why don't they want the protagonist to get what the protagonist wants?

Feel free to add to these questions too.

This might make an interesting starting point for future books - Don't begin with the protagonist. Begin with the world of the antagonist and secondary characters. Then drop someone else in who doesn't want what they want.

The book that immediately springs to mind here is Pollyanna by E. H. Porter

The world of grumpy people is firmly established, each with their own reason for being grumpy, and then Pollyanna is dropped into it like a pebble in a pond. She could never have spiralled down into unhappiness if the other characters' actions hadn't been motivated by severe grumpiness.

So, who is driving your story?

by Em Lynas

Currently residing on twitter as @emlynas and fb as Maureen Lynas
Published by Nosy Crow. Represented by Skylark Literary.