Wednesday, 17 March 2010

Off to SCBWI's Bologna Symposium 2010

Well it's Bologna time again! Here are some photos from my very first trip to Bologna back in 2006 to attend the SCBWI conference, which has now been renamed as a 'symposium' (visit the SCBWI Bologna website if you feel like signing up at the last minute).


If you're on Facebook and can't view the slideshow, you can view it here

I must confess I had to look up the meaning of symposium to find out what makes it different from a conference:
n.pl.-si·ums, or -si·a (-zē-ə).
  1. A meeting or conference for discussion of a topic, especially one in which the participants form an audience and make presentations.
  2. A collection of writings on a particular topic, as in a magazine.
  3. A convivial meeting for drinking, music, and intellectual discussion among the ancient Greeks.
Ancient SCBWI symposium 475BC 

So ... well, I'm not going to try to explain.

Anyway ... two great things happened on that first SCBWI conference in Bologna.

1. I met a shy Italian named Paolo who loved fantasy and wrote in English. He has remained a close writing buddy ever since - I love his cinematic plot lines! Here's the terrific website he built for his wip The Vespertine Hour.

2. I discovered Scott Westerfeld . I was so impressed by Scott's keynote about teenage slang that I have since read everything he's written and continue to recommend them to all my friends. I still give away sets of Scott's trilogies to teenagers on special occasions ... oh wait one of the trilogies has turned into a quartet. And so it goes.

The second time I went to Bologna was in 2008. Guess who I ran into outside the SCBWI party?

Unashamedly thrilled to meet Scott Westerfeld

SCBWI Bologna 2008 had evolved significantly - I was proud to see the British Isles logo on the banner display of SCBWI regional logos.


And I was proud to help man the showcase for SCBWI British Isles at the fair itself:

Margaret Carey, Natascha Beibow, Anne-Marie Perks, 
Sarah McIntyre, me, Catriona Hoy, Trish Phillips

This year, with all the travelling I've been doing, I'm on austerity measures. So courtesy of a cheapy ticket from Ryanair (I never thought I'd see the day when I'd say I'm so glad I booked with Ryanair), I am attending the conference but not the fair itself!

I am doing my part though, because in my luggage I shall be carrying the SCBWI British Isles Showcase - cards, books, posters of our SCBWI authors. SCBWI's got its own stall at the fair, and each region has a slot to display its wares.

Now we all know it's going to a great year for SCBWI British Isles at Bologna, with a bumper crop of authors - this pre-Bologna report in The Bookseller is riddled with SCBWI names!

And here's a small selection from my suitcase. 
Took this shot hurriedly, sorry if I didn't manage to fit yours in.

And I'm taking it all in my carry-on luggage to avoid Ryanair fees! The secret? Pack no clothes! It's a well known fact that to fly Ryanair happily and successfuly one must take as little as possible. All one needs is a change of bikinis.

Friday, 12 March 2010

Guest Blogger Fiona Dunbar: a Mother's Day Tale

It's Mothering Sunday this weekend and to mark the day, my guest blogger and friend Fiona Dunbar has written this moving tribute to her mother, who herself had writing aspirations. Fiona is the author of the Lulu Baker trilogy which has been turned into the TV series Jinx, and the Silk Sisters trilogy which features a girl with the power to change like a chameleon. You can follow Fiona's blog here. Welcome to the Slushpile, Fiona!
I have killed my father. 

He lies over the desk in the study. The angle of his neck is wrong and from where I am sitting, I can see the side of his dead eye and thick blood at the corner of his mouth…


So begins a science fiction story called The Medusa Plant that, to my knowledge, has never been published. Or maybe it was – if so, it’s all lost in the mist of time now. It was written by my mother.

For years, I strenuously avoided turning into my mum. Having completely idolised her as a child, I then morphed into a teenager, and the rose-tinted spectacles came off. I vowed not to be loud and embarrassing in social situations like her, or have such disastrous relationships with men, or fail repeatedly at achieving goals, such as getting one’s work published.

I really don't know why Fiona doesn't want to turn into her yummy mummy

Not that I had any such ambitions at that time. In those days, my creative impulse was channelled not into writing, but drawing. (I have always written, but back then, the words were a mere adjunct to the pictures). Everything I produced was pronounced a marvel by my mum – and therefore, as far as I was concerned, utter rubbish.
Cornwall 1971: Interesting this photo because grown up Fiona so looks like her mum (see black and white pic below of Fiona with her kids)


This is the First Law of Motherhood:
You can’t win. 
Say your kids’ work is lousy? Consign them to years of therapy. Say it’s wonderful? Ha! What do you know? "You would say that, wouldn’t you? You’re my mum." (I’ve had that one too, from my own teenage daughter).
Fiona and her own kids (taken a few years ago)  

As for my mother’s own creative endeavours ... well, she never fully realised her ambitions there. Why? It’s not as if she wasn’t talented. In fact, I think she was really good. Good enough to have had an agent, and to have had a couple of things published ... but knowing her and her work as I do, I think there was a great deal more that could and should have happened, and never did.
One of her mum's manuscritps

I think she’d have made a good YA author – only back then, there wasn’t really any such thing. She was most at home with short stories, citing Saki as an influence, and wrote both for adults and for children.

Her writing was perceptive, lyrical, macabre and darkly funny. As far as I can remember, she had just two short stories published: a riveting children’s science fiction story called The South Gate Sea, and an adult story about, ahem, losing her virginity. (Yes, I actually read it. And yes, it was thoroughly cringe-inducing). There was also a TV play with Dennis Waterman that I didn’t rate much – but I was pleased for her that it got made.

As you might judge from the above, it probably didn’t help that she was so diverse.

Her concept for a children’s TV series called The Upside-Down People, (featuring characters called Sagacious, Prod and Umpulk) never saw the light of day; nor did a ghost story called Walking To Coverack, inspired by a holiday we took in Cornwall in – oh wow, I’m dating myself here – 1971.

An 80s Fiona poses with her mum

Reading it recently gave me goosebumps – not just because it’s spooky, but because it evokes so wonderfully the sights, sounds and smells of a part of the country I first fell in love with then. And more than anything, because it was written by her.

The last twelve years of her life were hampered by ill health. But she took a keen interest in my own nascent literary efforts, and when, in 2004, she was invited to the launch party of the first of my Lulu Baker books, The Truth Cookie, she was as excited as I was.

Wooden spoons for invitations! Yes, we were going to do this in style. Alas, the party never happened; the night before it was due to take place, she was struck by a brain haemorrhage. She died two weeks later.


So, did I succeed in not turning into my mum? Well, I don’t think I’m loud and embarrassing in social situations – though my kids might disagree. I’ve fared more happily on the relationship front: my husband and I have been together for nearly twenty years. As for the publishing: well, like most of us, I have a drawer full of stuff that didn’t go anywhere. But The Truth Cookie is still in print, has been followed by six other titles, and has inspired the CBBC TV series, Jinx. I have a contract for a new series, and right now, I’m about to embark on one of them…a ghost story, set in Cornwall.

The Lulu Baker books re-released with the Jinx covers

So you might say that yes, I succeeded in that objective.

Except that this is not the whole picture, of course.

There were so many wonderful things about my mum – her warmth, her humour, her wit and compassion ... even, yes, the economy and cleverness of her writing – that I aspire to myself. The big difference is this: she didn’t believe in herself enough. I’m not doing better than she did because I’m more talented – I don’t think I am. I’ve just stuck with it.

Thursday, 25 February 2010

Flight of the Undiscovered: Voices Coming Soon on a Children's Bookshelf Near You

This was their moment!

Suddenly, after years of being supplicants to the great and good of publishing, our SCBWI heroes find themselves the object of a schmooze-for-all, with agents, editors and publishers eager to check them out at the launch of the Undiscovered Voices anthology for 2010.

In 2008, the first ever SCBWI British Isles Undiscovered Voices competition led to all 12 winners (including me, yay!) being signed by agents.

And here's who we have to blame, The Saras (Sara Grant and Sara O'Connor) - who conceptualized the Undiscovered Voices and made it happen. Should you run into them, please be sure to kiss the hems of their skirts (or trousers), they have changed some lives BIG TIME - including mine.

The Saras (Grant and O'Connor)
Sara G and Sara O

Of the 12 2008 winners, eight now have book deals and an array of nominations, shortlistings, longlistings for the gamut of prizes available in the children's book world, including:
The Blue Peter book award
Barnes and Noble Top Teen book for 2009
American Library Association Best Book for Young Readers
2010 Waterstone’s Children’s Book Prize
Branford Boase First novel award
Borders Book of the Month
Steve HartleySarwat Chadda, and Harriet Goodwin - the first three of the original Undiscovered Voices to see their books in print - were present as were copies of their books for signing.

Steve Hartley Sarwat Chadda Harriet Goodwin
Okay. Apologies to Harriet (right) and Steve (left). But that's what comes from not taking the time to pose properly. You should really try to be more like Sarwat (center). Just smile.

Here's the cheat sheet that all guests were provided with so that they could target their desired author with appropriate ardour:


It's quite remarkable to think that the lives of these 12 somewhat shy people are about to change forever.

Watching the winners screwing up their courage to talk to agents they had previously feared, I remembered what it was like two years ago when I spent the launch party cowering in the company of friends rather than schmoozing the great and good.

Now I am a great fan of the Undiscovered Voices patron, Melvin Burgess, but I just could not get a shot of the man with his eyes OPEN. Here he is with Natascha Biebow, SCBWI BI's regional advisor:

Keynote speaker Melvin Burgess and British Isles RA Natascha Biebow

Luckily I managed to film his evocative speech with my trusty ... erm ... mobile phone. Turn up the volume to get the full impact - it was a moving tribute.



At the dinner afterward - which I gatecrashed along with Sarwat - Sara O'Connor toasted the winners and their soon to be golden tomorrows.

Sarwat and I were bemused by the guests that each winner took along, who all wore nametags that said 'Plus One' (as in added guest).

Lisa and her Plus One, Graham
Lisa Joy Smith (Slugs in the Toilet) with her Plus One, Graham.

These are the powers behind the throne, we thought. So after Sara's toast, I offered another one: to the Plus Ones - these are the people who make it happen for us writers, the ones who have to take the moodiness, the lateness and who keep us going into the light. Most likely, these are the names who will grace the dedication pages of future UV books!

Plus Ones!
More Plus Ones, lined up against the wall!

I'm afraid I didn't manage to photograph all the winners or the agents for that matter as the white wine was rather distracting. But here's a sampling of the evening:

Jude Ensaff Nick Cross
Jude Ensaff (One of a Kind) and Nick Cross (Back from the Dead)

Jasmine Melvin and Bella

Editors Jasmine Richards (OUP) and my editor, Bella Pearson (David Fickling) ... and of course Melvin with eyes closed


Sarah Manson and David Cousins
David Cousins (Fifteen Days Without a Head) has been signed by agent Sarah Manson (that's why they're toasting)


Natascha Biebow
Natascha introducing Melvin




Steve and Katy Lauren Chris Snowdon, Working Partners
Katie Dale of UV 2008 who finally made it after missing the first launch because she was travelling; Lauren Sabel (Vivian Divine and the Days of the Dead) flew in from the US just to attend; Chris Snowdon, managing director of Working Partners, the generous sponsor of the anthology

Sorry again if I didn't manage to photograph anyone who should be in this piece. You can read more about the UV launch on Nick Cross's wonderful blog Who Ate My Brain? (catchy title, Nick). Nick wrote Back from the DeadYona Wiseman (Becoming Invisible) has also blogged about it on Daylight Procrastinator. Anne M Leone (Adele) blogged about it on Critically Yours.

Group
Left to right foreground: Yona Wiseman, Lisa Joy Smith, David Cousins, Anne Anderson, Paula Rawsthorne; back row: Nick Cross, Melvin Burgess, Jane McLoughlin, Lauren Sabel, Abbie Todd, Claire O'Brien, Emily George (not in picture, Jude Ensaff)

Meanwhile, congratulations to all the winners. May your tomorrows shine. Write well.

My signed copy of the anthology!

You might want to read my interview with Melvin about his experimental Twitter short stories. Scroll down.

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