What if I just don't feel like it? Using acting skills in your writing.

I started writing  a completely different post to this but recent events have put me in a dark mental place and I suspect I'm not the only one.

First there was Orlando. There are no words for the pointless destruction wrought on the people in the night club there. I'm not going to share any more of that hate though, I'm going to share a bit of love:

And then...I won't go into politics here,  but most of you reading this will be well aware that the UK is having a referendum on whether or not to leave the EU.  I  attempted to engage in debate about this - true, informed, educated debate designed to help all involved, including myself, have a better picture of the potential impact of the referendum result.

I was polite, restrained, mildly funny and I got completely trolled on twitter for it. Nasty, aggressive, rude, sometimes moderately informed, always biased and vile team trolling. I withdrew. There was no debate to be had, I was hunted by a group of campaigners actively requesting assistance to "Take down this b*tch."

And now Jo Cox, Labour M.P. for Batley and Spen,  has been killed and I don't know if it has anything to do with the referendum but I can't help but feel the  nature of some quarters of the campaign verbally  reflect precisely the aggressive  and violent actions that brought this young woman's life to an end.

I am tearful. I am sad. I am in no mood to write - but....

I have a book to finish.

So how do you control your mood so you can effectively produce what's needed on the page?


1. Listen to music. 

Music can turn your mood around - you can pump up your heart rate or swell with emotion if you choose the right sound track. I never listen to music when I'm writing ( well, rarely, sometimes classical tracks) but I often do to get me in the mood before writing.  Guaranteed mood changers for me are:

• Eminem's Lose Yourself is my power up track.

• Pharrell Williams Happy  to cheer me up: 

• Coldplay's Fix You to make me weepy:

2. Pretend:

 I used to be an actor, where pretend is your bread and butter. Here are a few simple tricks for you:

•  If you're down and you need to not be,  force yourself to smile - this can genuinely work.
•  If you need to write something upbeat and strong try the Wonderwoman stance. Stand up, raise both arms in a V above your head then bring your fists down to your hips, arms akimbo. Job done. You are powered up.
• Need to write a sad scene but you're full of the joys of spring? This is hard, be prepared to dig deep - think about something really sad that happened to you. Touch all the emotion but don't let it swallow you - this is work, you are using your experience for your writing  so you need to control it.
• Stand in front of a mirror and act out your character's part - be sincere and note how your feelings actually feel.

3. Write something else:

If you really aren't in the mood to write your  touching romance scene, don't. Work on something else. If you're angry, where can you use that emotion in your book? Write that scene instead.

4. Step away from your desk:

Sometimes, no matter what you do, you can't shake off the mood you're in and you can't put it to good use. Accept it. You're human. Walk the dog. Make a cup of tea. Eat some chocolate (dark chocolate is genuinely a mood enhancer). Put some dance music on and clean the house. And if you just need to be sad for a bit, that's OK too.


In the light of what's happened recently, I want to recommend a couple of books that make you think and might just make the world a better place.

Jeannie Waudby's One of Us  
Robin Talley's Lies We Tell Ourselves.
Lisa Williamson's The Art of Being Normal.

Please make your own recommendations in the comments section.

Play nice. Be kind. Let's be better.

Kathryn Evans is the author of More of Me: A gripping thriller with a sinister sci-fi edge, exploring family, identity and sacrifice. She has been nominated for  The Edinburgh Festival First Book award, you can vote for her book here: 

Tommy Donbavand: Learning From the Best

by Jo Wyton


A couple of weeks ago, I wrote an article for this blog about the usefulness of finding a good network as a writer. Not long after voyaging into the world of Actually Talking To Other People, I signed up for a writing retreat (which you can read an article on here). I don't really know what I was expecting, but I do know that I turned up on the first night a bit of a trembling mess, really. I recall a room full of people sitting on the floor listening to a talk on building a platform (I think. The nerves really were terrible. It might've been a talk on koala bears for all I would've noticed.)

Mostly the nerves were because I hadn't really met many published authors. I had met some at the end of teetering signing queues. And I think it's fair to say that some of those had ended with me nearly getting 'Never Meet Your Heroes' tattooed on my forehead, but quite frankly my forehead is big enough without calling further attention to it. 

This particular writing retreat had as its Writer in Residence a certain Tommy Donbavand. It was a great few days - cake, wine, writing - but my favourite moment was something unrelated to the main business of the retreat.

This is Tommy. See? Serious Business.

This might be a good time to point out that this article is a little different from those that normally appear on this blog, but it's part of something Big. Important. Put That Piece Of Cake You're About To Eat Down And Pay Attention Important. Because Tommy has cancer.
And he needs the support of fellow writers.

And he didn't turn out to be terrifying, after all. In fact, he's one of the nicest bloody people I have ever met.

My favourite moment of the retreat? Several drinks into Saturday night festivities, along with another published author, we retreated into one of the classrooms to... that's right - gather around Tommy's iPad to watch Doctor Who. That's right. Doctor Who. And it was an AWESOME episode.

But what was important was that Tommy invited me in. Made me feel like being a Published Author wasn't an exclusive club. Not an unreachable dream but a much-dreamed-of reality. 

He also, incidentally, introduced me to somebody - the other published author staring at the iPad, waiting for the internet to reconnect in time for the big reveal at the episode's end? He's now my other half.

Tommy shooting Tim Collins (said other half) with a balloon crossbow. Because cakes and wine can't keep you entertained forever.

So I have quite a bit to repay Tommy, you see. This blog isn't much of a way of doing that, I don't suppose, but I do genuinely think that meeting Tommy played a big part in my existence as a writer, and I'd only encourage others who haven't spoken to many published authors to seek them out. They were once dreamers, too, and they're really very nice (the occasional signing queue aside).

And if you feel like supporting Tommy, who's had to give up the school visits that sustain him financially, you can do one of three things:

1. Buy a copy of Doctor Who: Shroud of Sorrow (which is, naturally, brilliant fun for kids, with a few serious bits thrown in - reviewed here)

2. Enter one of the fabulous competitions being run. You can win TONNES of books. They will appear on some of the blogs, which are listed on the image at the bottom of this blog. The first one can be found here.

3. Visit his blog. Join his Patreon scheme, where you sign up to loads of 'how to write' content.

4.

(Yes, I know I said three, but it's a good one.)

4. Leave a comment on his blog. Offer some support on Twitter or Facebook. Or just raise a glass to his continuing brilliance and friendliness and to your own dreaming. Go on.

How to Thrive on Deadlines

Paula working as a Pirate
before she realised she
could write like the wind

We are so pleased to introduce the latest recruit to Notes from the Slushpile, our best-selling writer pal Paula Harrison — she who has sold more than a million Rescue Princesses and seems to have books effortlessly leaping out of her jumper. Recently, Paula branched out from princesses to dragons, unicorns, firebirds and magical foxes. As if that isn't enough, this September, Paula's launching a new middle-grade book: Robyn Silver. What an example for us slow-coaches to emulate and the Slushpile is sooooo lucky to have her! Welcome, Paula ... we're hoping some of your publishing magic dust sprinkles over the rest of us!

I have a book to finish.

No one in my house is impressed by that excuse for not doing the washing up any more. I always seem to have a book to finish. My work squeezes into the school day and spills over into the evening. With two chapter book series to work on and a novel for 9+, I sometimes feel like I’m juggling hoops, whilst riding on a unicycle, whilst taming a lion, whilst... You get the idea.

A sketch of me juggling whilst riding a unicycle whilst taming a lion.
Drawn because SOME people in my house found it amusing!

Not that I’m complaining. I know how lucky I am to be published and writing full time. But there’s a lot to do and while publishers will move deadlines back for authors of stand-alone books, in my experience they tend not to do so if you’re writing a series. It could be that changing the time gaps between the books is problematic for them. (It's worth mentioning here that I've never written for a packager - all my stories are dreamed up and written by me - but I assume if you do the deadlines involved are not particularly flexible either.)

So I’ve developed a few tricks for writing more than one book for more than one publisher. Authors who have to do this are often picture book and/or chapter book writers. But first here’s a quick round up of what I’m currently working on.

Secret Rescuers is a chapter book series which I’ve largely completed. I’m waiting for copyedits on the last two books. 

Robyn Silver: The Midnight Chimes is for 9 + and is DUE OUT IN SEPTEMBER! Sorry did I get a little excited there? Did I mention I have an awesome cover and very shiny proofs courtesy of my new publisher, Scholastic? I’ll be writing more of the second book this summer. 

Young detective series with a secret title! This is what I’m currently writing and it’s due out in 2017. Not having written mysteries before, I’m finding I love it. But I can't tell you anything else about it yet!

OK, TIME FOR THE TIPS!

Make a plan

Whether you keep it in your head, note it down on paper or make a spreadsheet on the computer, you need a plan of what you’re going to write and when. It take practice to work out how many weeks or months each stage of a book will need – first draft, edits, copyedits.

My plan is in my head mostly, but if you’re new to managing multiple deadlines I’d recommend using a calendar. Allow yourself a cushion of extra time in your plan because stuff happens! You may get flu or the washing machine may break. Life can get in the way!


Let your agent and publishers know how you’re getting on

If things take longer than you’d expected, let your publisher know. The sooner you tell them there may be a problem, the easier it is for them to try to find you extra time. Nobody wants to be that person who says they can’t make a deadline but with lots of notice it is less of a disaster.


Focus on one thing at a time

Writing is an immersive experience and we live each story as we write it. You can’t do that properly if you’re thinking about the book you’re about to move on to when this one’s finished. You also can’t immerse yourself fully if you’re thinking about the cat’s vet appointment this afternoon.

Find ways to pour yourself into the story. For me, music is an excellent short cut into the mood and mind-set of my story. I have at least one piece of music for each book – sometimes more. Sometimes I find a song that suits a particular character. Then I’ll play it before I start writing.

Objects can also be helpful. For Pale Peak Burning, the last in the Red Moon Rising trilogy, I kept a chunk of granite taken from the Peak District where the book is set on my desk. When I wrote, The Storm Dragon (Secret Rescuers book 1) one of my kids made me a little dragon that sat beside my monitor. I know writers who create mood boards either using collage or online using Pinterest or a similar site. I also change the wallpaper on my computer to suit each story so that as soon as I switch on, I’m in the right frame of mind.

The original Storm Dragon - in Plasticine

Organise yourself in a way that suits you

Like most writers, I have a large collection of notebooks and I make sure I have plenty written down to refer to. It’s the worst thing in the world to return to your story at edit stage, after spending time writing something totally different, and have gaps in your memory about settings etc. If you think you may forget, write it down or draw it!


Protect your creative time

I’d like to refer you back to Teri Terry’s recent Plot Bunnies blog post here. All this organising, making plans and writing down notes can make you feel as if your writing life lacks colour. You need time to mull things over – to have that unexpected thought that changes the direction of your story. Allow time in your schedule for this – the creative spark is what brought us all to writing in the first place.

 (Pssst! If anyone says you’re writing too many books remind them that Shakespeare wrote 37 plays and 154 sonnets! Taking 7 years to write a book is absolutely fine and so is taking 4 months. Let's embrace our differences as writers - be that many books or few!)

No deadlines were missed in the writing of this blog!