Friday, 4 May 2018

Funny Bones - can we learn to write 'funny'?

by Addy Farmer



Me, as a crazy kid, having hilarious fun playing pretend tennis
Let me just put you in the picture. I was a funny kid; in fact some of my contemporaries called me, 'weird' which back then I actually took as a compliment, so perhaps case proven. Being a reasonably content weirdo did not make me popular but again, it didn't bother me. I liked the company of a few equally weird friends (See photo above of us playing pretend tennis). Then I had an epiphany. I was in class and it was my turn to go to the Tuck Shop and get sweets for anyone who asked. I took the orders and the money and bought everything on the list - except I didn't because I forgot a particular bar of chocolate for a large girl who always really hungry for this chocolate. She got cross, had a rant, demanded that I went back even though there was not much break left. I panicked and said, "They ran out last week when you ate it all."
Yes, I know, it's not that funny and actually it's rude. BUT everyone laughed. Maybe it was surprise-laughter, I don't know but something changed after that. I began to say out loud what I found funny and people laughed and it felt good. 
funny kid
Back then, being funny was a crowd pleaser and it's a crowd-pleaser for readers now. I love to write funny stuff for children and it made me wonder whether is was a Thing you can learn to do or whether you just had to have funny bones. 

Image result for lissa evans wed wabbitThis is one of my favourite funny books, WED WABBIT by LISSA EVANS. When Fidge and Graham find themselves tumbling down a wabbit hole to a fantasy land whose inhabitants look like colourful dustbins and speak in rhyme. “In Wimbley Land live Wimbley Woos / Who come in many different hues… Yellow are timid, Blue are strong / Grey are wise and rarely wrong …” Their king has been deposed and armies of “Blues” carry out the orders of a scary new dictator called Wed Wabbit. It has some wildly funny characters like Dr Carrot who is an actual carrot who believes he is an actual doctor. Then there's Ella, the toy elephant who believes in the power of positive thinking and is a life coach. "Also available for Voice Development, Audition Technique and Confidence Workshops". And then there is the eponymous Wed Wabbit who is not called Red Rabbit because his owner in the real world is a four year old girl who can't pronounce her 'r's. She also has very strict views on how life should be lived and articulates them through Wed Wabbit. The book is a brilliant look at friendship and fear and it's FUNNY. Why?

  • It's a world ruled by a four year old's toy rabbit. 
  • It's a giant toy rabbit who cannot pronounce her 'r's
  • It's a giant toy rabbit has some anarchic pronouncements

WESTLE THEM TO THE DUNGEONS AND TOMOWWOW THEY WILL FACE THE TEWWIBLE WEALITY OF THE PUNISHMENTS WOOM!!!
  • The fantasy world is full of toys come impossibly to life but are instantly recognisable as characters from the real world. Their altered state makes them funny
  • Badly done rhyme
"Accept our thanks for everything.
We've come to free our captured king
Restore him to his usual state and afterwards invite everyone round to a really enormous party going on until all hours with mountains of food and drink and sweets to celebrate"

Image result for There a werewolf in my tentPAMELA BUTCHART is a another recent discovery for me. She is the author of funny books for a slightly younger reader. Her books are about a group of very different school friends. Their adventures are set in a real world school but their approach to life make that real world, surreal.  In THERE'S A WEREWOLF IN MY TENT, when Izzy and her friends go on a school camping trip, weird things start happening like howling at night and stolen sausages (a sausage is a comedy foodstuff, like a custard cream). But it's when they see their new teacher's hairy legs that they know that she's a werewolf. Of course, she's a werewolf! Because for an eight year old, it's the obvious explanation.
"I could see by the look in Zach's eye that he KNEW what had made the howling sound and it was BAD.
That's when Zach said, "I have to tell you. There is DANGER among us."
Jodi rolled her eyes because Zach was doing that THING he does when he makes EVERYTHING sound like a FILM and he won't talk like a
NORMAL PERSON
Why is this funny?
  • Wild leaps of imagination which our heroes. They make a ridiculous assumption about the teacher being a werewolf
  • Having made the assumption, then finding ways of dealing with werewolves which get them into trouble
  • The way the friends speak to one another is shown through the fonts and pictures 
THE SHRINKING OF TREEHORN by FLORENCE HEIDE PARRY and EDWARD GOREY is a classic. I mention it because it is the mad idea that a boy called Treehorn shrinks. His parents are indifferent to what happens to him rather like the parents in John Burningham's excellent, 'NOT NOW, BERNARD'. At the end of the book, when he is restored to hi normal size, he looks in the mirror

His face was green. His ears were green. His hair was green. He was green all over.
Treehorn sighed. "I don't think I'll tell anyone," he thought to himself. "If I don't say anything, they won't notice."
Image result for the shrinking of treehorn


Why is this funny?
  • The illustrations reflect the restrained story-telling brilliantly
  • Parents will not accept that their son is shrinking in front of their eyes. It allows the reader to shout at them
  • Treehorn's quiet pragmatic approach to a crazy situation is funny
Image result for the shrinking of treehorn

What can we learn about writing funny stories?


  • observe/find some physical tics/behaviour which are plain embarrassing for oneself or in others
  • make your characters oddball but recognisable
  • give your characters reasons to misunderstand one another e.g language/culture/age
  • give them a reason to misunderstand a situation
  • toy with your setting/world 

If your idea of funny is running through a wheatfield then MAY be (I thankyou) you might want to consider another genre.  In the end, you have to write what makes you fire on all cylinders. Most likely, if you find it funny, then your reader will.  Whatever you do, if you want to write funny stories, then read funny stories. Here are some recommendations from the SCBWI hive mind. Enjoy!

Elaine Cline Amelia Bedelia picture books. This was also featured at the scbwi bi conference as one of the children videod shared this book as his favourite. The story does a lot of play on words.
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Chloe Taylor Anything by Morris gleitzman especially Bumface. The voice is incredibly strong and the premise is hilarious (a boy whose irresponsible mother keeps having kids juggles looking after his siblings and reminding his mother to take her contraceptive pill when all he wants is a normal childhood.) It's better than it sounds.
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Chloe Taylor Actually no! That's second place! Letters from a mouse by herbie Brennan. You have to read it to understand. It's beautiful and takes about ten minutes to read. Get it! It's funny because the reader knows what is going on but the narrator doesn't.
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Kathryn Evans The Georgia Nicholson books , Angus Thongs etc , ridiculous and truthful and brilliant- kind of slapstick silly but also poignant
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Fiona Dunbar Mr Gum. Because every sentence plays around with words in delightfully unexpected ways.
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Lucy Courtenay I was going to suggest this too.
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Annie Edge Seconding Mr Gum - because it's so damn clever. Good humour isn't just about bums and farts after all (although bums and farts can get you a long way in kidlit!).
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BeeBee Taylor Em lynas cant make me go to witch school and Jennifer killick Alex sparrow and the really big stink both are well written light hearted and the jokes are hilarious
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Joy Judge Jim Smith wrote (and illustrated) the Future Ratboy series. There were three in total and they all had us all in stitches. My daughters (6 and 4) really enjoyed them and it helped transition my eldest from picture books to chapter books. It’s daft and ...See More
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Joy Judge Can I just add that a lot of the books we have at home appeal to the adults as well as the kids. It’s a real sweet spot, as I’m more inclined to buy humour books where some of the jokes are directed at adults. The Supertato PB sets up a scene where an evil pea finds himself on a shopping trolley. He jumps off it and the line ‘but the pea was off his trolley and lying in wait’ gets me every time. ðŸ˜‚
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Lucy Courtenay Mr Gum hits the spot for all ages because it's so gloriously random.
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Sheila M. Averbuch TALES OF A FOURTH GRADE NOTHING for the true-life portrait of a toddler and chaos that ensues with older brother
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Victoria Woolfe Jonathan Stroud's Lockwood and Co MG ghost series...you can't beat Stroud for his rapier-sharp wit and intelligent humour. It's worth reading the whole of book three just for the immortal lines, 'egg whisk'. (You'll know it when you read it!)
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Maureen LynasMaureen and 13 others manage the membership, moderators, settings, and posts for SCBWI British Isles. I go for voice so Angus, Thongs etc and Noah Can't Even... by Simon James Green. And there's a sequel soon!



Friday, 6 April 2018

Ten Tips for Dealing With Deadlines

By Kathryn Evans



via GIPHY


I am neck deep in edits at the moment, and spending 8-10 hours a day typing, so I planned to write this post about practical ways to deal with deadlines.  I asked my fellow slushies for their advice and the very lovely Jo Wyton pointed out that this blog is primarily for writers still on the slushpile. Writers who long for a deadline.

How could I have forgotten? That was me,  until fairly recently. More of Me only came out in 2016 after many, many years of trying to get published.

Five years ago, if  I'd have read the post, I'd have wanted to say:

 "AT LEAST YOU HAVE A DEADLINE".

BUT we can give ourselves deadlines and I suggest that you do. You can make them feel real  by telling someone. I meet every month with a group of fellow writers from SCBWI. We set ourselves targets and know we have to own up the next month if we don't meet them. Though self imposed, this commitment  honestly helps keep you writing.

Deadlines can be really helpful. They give you focus and drive - sure, they can also make you panic and give you RSI.  So, if you don't have wether you have an imposed deadline or you self create one,  be positive about them and do these practical things  to keep your mind and body in good order!

Kathryn Evans' Top Ten Tips for Dealing With Deadlines.


  1. Get up and moving  every twenty minutes - walk, star jump, roll your shoulders -anything you like but for a few minutes, have a good old wriggle.
  2. Install a standing desk - sitting down too much is no good for your stomach muscles and they, in turn, support your back. Switching between sitting and standing  is so much better for you than sitting all day.
  3. Don't use caffeine to keep you alert -top advice from Paula Harrison - it'll leave you with headaches and a racing heart.
  4. Candy Gourlay uses Headspace, the meditation app. I use this too and find that taking 10 minutes out of my day to just breathe is really energising.
  5. Don't work at a computer screen for the  30 minutes before you go to bed, it won't help you sleep.
  6. Install f.lux on your computer It dims your screen at sunset and brightens it at sunrise helping to keep your body more in sync for sleep and preventing tired eyes.
  7. Get some fresh air - go outside and fill your lungs, look at the clouds, expand your view and free your mind.
  8. Eat well. Don't be tempted to stuff yourself with junk because time is short, your body needs nutrients. I keep a ready-cooked roast chicken in the fridge and bags of salad- super easy, healthy lunches - and I always have fruit in the house: fresh, tinned, dry and frozen. Frozen grapes are a delicious treat!
  9. Speak to someone who understands - letting off steam when you feel under pressure can really help.
  10. Take a minute to watch a cute animal video - they genuinely reduce stress! 



via GIPHY


 Kathryn Evans is the award winning author of More of MeA gripping thriller with a sinister sci-fi edge, exploring family, identity and sacrifice. She loves faffing about on social media: find her  on Facebook and Instagram @kathrynevansauthor and tweeting @KathrynEvansInk.  

Friday, 30 March 2018

In praise of rights teams

by Paula Harrison

A small selection of the Rescue Princesses books that have been published internationally
I feel very lucky. I love my job and I don't have to climb bleary-eyed on to a commuter train to London at 7 o'clock each morning. Plus I get up to make a cup of tea whenever I want. This is no small thing.

Yet when I run a course for pre-published writers, as I did in London a fortnight ago, they've heard how little writers earn, how it's getting harder to make a living as an author. This is all true. The market is difficult. Celebrity writers are gaining a lot of shelf space. Many writers are hanging on through money from school visits or sometimes teaching writing to adults. BUT there is still a lot of excitement about debuts and a new author has that in their favour.

Another thing that makes children's authors very lucky is that UK children's publishers are simply excellent at selling foreign rights. Nosy Crow, the publisher of The Rescue Princesses (pictured above) has sold rights to those books in many languages including Italian, French, Hebrew, Japanese, Turkish, Romanian and Czech. The American publisher they sold rights to has published twelve books from the series.

If you pay attention to the children's book world you'll have noticed tweets and pictures coming from Bologna this week. Rights teams and agents fly out there every March and work incredibly hard. A huge part of the work (I am told) goes on before and afterwards, following up on appointments and so on. I'm massively grateful for their efforts and thrilled each time a book in a foreign language comes through.

Top: American and Polish editions of The Secret Rescuers from Nosy Crow
Bottom: French and Spanish editions of Robyn Silver from Scholastic
Seeing your story travelling round the world is an amazing feeling. I should also mention the fabulous work done by translators such as Nicolas Ancion who translated Robyn Silver into French and the amazing artwork produced by talented illustrators around the world including Alban Marilleau whose cover artwork is pictured above.

No doubt rights teams are wheeling their suitcases back home right now feeling pretty exhausted. Well, I would just like to say a HUGE

THANK YOU!

And Happy Easter! Apologies that the blog is a short piece this week - I blame the Easter baking! I will leave you with a picture of the new Rescue Princesses book out very soon. The Enchanted Ruby is the 13th book and publishes as part of a refresh for the series. The beautiful illustration pictured is by Sharon Tancredi.





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