Showing posts with label Book Launches. Show all posts
Showing posts with label Book Launches. Show all posts

Friday, 25 May 2018

My Year of Launching Prodigiously

By Candy Gourlay

I am in Book Launch Mode. Here's a gratuitous picture of my two new books.

Candy Gourlay's New Books in 2018: IS IT A MERMAID? and BONE TALK
I have written in the past about how to organise a book launch party. This article is not about that, although book launch parties are integral parts of the book launch and I have actually just spent the past month attending the launch parties of friends.

This particular book launch piece is about bringing a book into the world – in my case TWO books, in one year. My first picture book Is It a Mermaid? was published in the UK in April, then in the US in May. And my third novel Bone Talk is going to be published in the UK in August.

Launching a book is a mind trick for us authors.

I mean writing a book takes time – my novels can be in progress for five to six years! – and during that time writing THE END is the only goal. And once the book is finished, what do authors want to do? We want to write the next book ... not faff around with marketing!

In an ideal world, of course, authors can stay in their caves accumulating word count and cholesterol.

But the world has not been ideal since it turned global.

Publishers have shed that fusty old practice of nurturing an author then publishing to the small, appreciative audience who could be relied upon to buy books anyway. It was a smaller space with author and books at its centre - not bottom lines and market shares.

And then of course came the internet, which may at first have appeared to be the procrastinating author's blessing, but has now put the task of promotion squarely in the author's cave.

You need a plan on how you're going to engage with people before your book is available, and then motivate them to buy your book once it's published.

Your First 1000 Copies: The Step-by-Step Guide to Marketing Your Book by Tim Grahl

Yes, I have read book launch guru Tim Grahl's guide. And yes, I've also read Grahl's Book Launch Blueprint – which by the way is currently available as a free download. It's full of great tips and Grahl's personal experiences helping turn his author clients into success stories.

But will reading the book sell you're first 1000 copies? Nah. Reading is not doing. And most people would rather read ... then complain that it's all too hard. So my first launching tip is this:

Do it. 

Which is going to be tough.

You will need to be as motivated to market as you are to write the book. It's a full time job in itself – you can't do it unless you understand how it all works. You can't do it unless you have time away from work, new book, family, pet, etc. You can't do it without skills, like Luke couldn't rescue Princess Leia right away because he was only a moisture farmer.

When I give talks on book marketing, it's hard to watch the eager faces of the audience crumple one by one as people realise the enormity of the task.

But guys, you are authors. Remember how hard it was to start writing your book? How you had  this great idea and hesitated for weeks, thinking, should I or shouldn't I? Thinking, it will take forever to write it! Then deciding, yes, you want it. Yes, you will write it. And then spending five bloody years working on it.

This is actually a wee bit easier.

You just need to do that thing you did. Say yes. And then get on with it.


Who are you marketing to? 
Unlike authors who write for grown ups, we kidlit authors know that the sales of our book are curated by the forces that circle young people like Dementors circling Hogwarts – parents, grandparents, teachers, librarians, Zoella ... these are the forces that influence the actual buying of your books (since our readers don't tend to buy books themselves).

Most of you guys probably already get the idea of marketing to influencers.

One of the new ideas I stumbled upon while procrastinating was the idea of the Purchase Funnel –actually to the marketing profession it's an old idea ... but, hey, it's new to me. I was trying to understand Facebook advertising (Argh!) so I clicked on a podcast on how to build a Facebook Ad Funnel.

Before your eyes glaze over, the podcast was actually fascinating – and my takeaway was invaluable:

It's not just about knowing who your target audience is, it's knowing how enthusiastic he or she is about you and your books.


The idea is you have to market in a different way to different levels of enthusiasm.

Hot is the person who is always going to buy your book (Diehard fans, if you're lucky to have those. Mom ... Dad ... Grandma).

Well .. maybe Grandma


Warm is the person who is likely but not guaranteed to buy your book (Friends, sadly. People who have read your previous books. People who have not read your previous book but are interested in your themes, etc.)


via GIPHY

Cold is the person who has had no contact with you and has no interest in your themes (The Dad in the bookshop who was staring at the shelf with your book on it but probably not at your book. Zoella. The BBC. Benedict Cumberbatch...).


via GIPHY

The takeaway is: each of these groups need a different approach.

Otherwise you will find yourself engaging some and repelling others in equal measure.

When I say 'marketing to' I really mean 'building a relationship with'. 

If you're in for the long haul – as in, planning a career in book writing – then you need to build an audience that is in it for the long haul too.

Yes our readers are children who will outgrow our books. But every child who is captivated by your book will grow up to be an adult who will put that book into another child's hand.

Most of us authors became writers because of some adult in our life – usually a librarian – who said, 'I think you will love reading this.' Now that's a relationship.

Is there such a thing as a loving relationship that begins with an email saying 'Buy my book'?

Food for thought.


via GIPHY



Marshall Your Troops. 

Luke Skywalker needed Obi Wan Kenobi to learn how to use the force. It's okay to be a padawan (non-Star Wars fans: a padawan is an apprentice).


via GIPHY

In fact, with this marketing gig, you will probably be a padawan all your life because though you do marketing it is not your job. You are an author and if you are out online marketing away and not writing books then you are in serious danger of not having anything to sell.

It is easy to think, sitting in the writer's cave, that one is all alone in the world.

You are not alone.

There are people out there willing to help you. And a lot of them will do it for free. You may not have skills but some of your friends do. I'm sure they will all be clamouring to help, you've been such a fantastic giving friend. Have you?

And if you're lucky enough to be traditionally published, your publisher will have a publicist and a sales team. Talk to them. Ply them with alcohol. Make them like you.

There is so much information on the internet about marketing. Get good at Googling. Google knows lots of things you need. How to do a Book Launch Party. How to Set up a Mailing List. How to Market My Book.

There are live spaces (as in not online) where you can be discovered. Libraries. Bookshops. Schools. Courses. Workshops. Fairs. Festivals. Though you may prefer to lurk in your cave, for the reader (or influencer), meeting you in person might be the  most compelling incentive to buy your book.

Comb your hair. Brush your teeth. Leave the pyjamas at home.


Do an audit of what you already have. 

In the fog of despair, it's easy to forget that you're a pretty cool person with lots of talents you can deploy to this impossible task.

You might not have noticed that you already have an asset in you had not previously identified as a marketing tool in your armoury.

Have you got a blog packed with useful articles that you can repackage as free resources?

Do you have a circle of friends, of people who are passionate about the same interests? It could be a Parent's Association, a hobby club, an online forum. Perhaps your book has a theme that could be of use/help to an interest group.

My new book stars the dugong, an animal who is endangered because its sea grass habitat is under threat. I am trying to hook up with seagrass organisations and use the book as a platform to raise awareness about this lovely beast.

If you are sure you haven't got one, join the Society of Children's Book Writers and Illustrators – make friends, attend events, help people.

Do you have a creative skill that you can deploy - are you an artist? A poet? A knitter? A teacher?

In your audit consider not just the skill that can help you do the marketing, but what you can make so that the readers will come.


Make things. 

So many authors are taking courses in Twitter and Facebook and hoping that social media is going to be the way, the truth and the light of their book launch.

It's important to consider two things:

1. Much as we would like promotion to be all about Twitter (admit it, O social media addicted fellow authors!) – tweeting has not been shown to boost book sales. It is one tool, but probably not the best tool because people are not usually persuaded by shouting through a megaphone. People need more than words to buy a book.

2. Ask not who will buy your book ... ask what you can give away to get people to pay attention to your book.

Since I raised my bleary eyes from the 24/7 job of writing my books, I've been making things. Well, sometimes it's not me making it – I persuaded my baby brother who happens to be an animator to make a book trailer for Is It a Mermaid:



I wanted to do something fun at the launch of Is It a Mermaid and while spending a short holiday with my best friend, Frankie, we found ourselves giggling uncontrollably in a Portuguese train while making up lyrics to the tune of I Feel Pretty from West Side Story. I recruited my talented singing neighbour, Andrew, and the result is a rather hilarious performance at the launch (with friends Heather and Perraine singing backup):



I realised that my author website was beginning to look old fashioned so I have been redesigning it, with custom pages for each book. I haven't got money for a web designer so I am using a free Wix website. Check it out.

I've been working closely with the publicists of my publishers, Otter-Barry Books and David Fickling Books, asking them to pitch me for festivals, saying yes to most requests. The other day, I presented a three minute spiel (there were ten other authors) to independent bookshops and the sales team at Faber (who take DFB books to bookshops). I had never done such a thing before and it woke me up to the need for more information about my forthcoming novel in advance of its publication. So I took my three minute spiel and turned it into this video.



(Can you tell that I like making videos?)

I have so much more to do. I am working on a new presentation to bring to school visits on the themes of my new books. I am creating free bonus materials for schools and readers to download from my website. And with Bone Talk out in August, I have another book launch party to plan!

It's a full time job.

But you shouldn't allow it to be.

Because you already have a job.  So my final tip is one that will make sure you will continue to  launch books for some time to come.


Write. 



Did I mention that my first picture book is out gorgeously illustrated by Francesca Chessa? Available at all good book stores.

Is it a Mermaid by Candy Gourlay and Francesca Chessa

Monday, 19 March 2018

How can an author avoid turning into a greasy self-promoter?

By Candy Gourlay

Hello!

I say that meaningfully. I have been absent from Notes from the Slushpile for some time.

Hello.

I missed you! But my failure to blog is good news because it means I have managed to resist a constant compulsion to blog. I've had a tough few months of deadlines, and not blogging means that I have been writing.

Candy Gourlay holds up a copy of her picture book Is it a Mermaid?
My first picture book! Can you tell that I'm pleased?
The final edits and tweaks to my very first picture book (with illustrator Francesca Chessa),  Is it a Mermaid?, were finished before Christmas. An advance copy landed in England last month. The rest are on their way in a boat from China, and should be here in time for the 5 April publication date.

I spent the Christmas holidays and the first week of the New Year working on copy-edits to my new novel Bone Talk, the uncorrected proofs of which are this minute bouncing through the letterboxes of reviewers. It will be published in August 2018. Thrilled and terrified at the prospect!

Here I am signing uncorrected proofs (advance copies) to be sent to reviewers.

At David Fickling Books: left, Jasmine Denholm, PR and Rights Assistant and right, Carolyn McGlone, PR Manager

DFB Editor Anthony Hinton going over Bone Talk proofs with a fine tooth comb. 

I also wrote a short story for a small Christmas anthology (I'll tell you about it later this year).

And once I finished with the proofs of Bone Talk, I spent the rest of January and the whole of February writing another book (but I can't talk about it just yet).

After all that ...  I was done. No more writing books for me! (At least until I start working on my next novel in a few weeks time.)

It has been bewildering waking up in the morning and having no book to write. Though I have no shortage of things to do,  the absence of a book project makes me feel like a jigsaw puzzle that is missing a piece.

With two books coming out this year, though, my work is cut out for me. 2018 will be all about promoting my two new books.

I'm not the only one. My Facebook feed is a constant stream of book launch party invitations. All my friends seem to be in book-launching mode! I was about to blog about a Launch To Do list when I spotted that  Natascha Biebow (whose wonderful The Crayon Man, about the invention of the crayon, will be published soon) had already blogged about hers.

Natascha says she is tempted to crawl under a rock rather than promote her new book.

I don't blame her – sometimes, looking at my Facebook feed, it feels like the whole world is out promoting themselves. Promoting is a megaphone and a tinny bellowing in one's ear. All those tweets of 'Buy my book', all those sly posts casually linking to a purchase page. The last thing anybody wants to do is add to the cacophony.

Writing about self promotion many years ago, as publishers began to wake up to the power of the internet and self promotion, I begged readers, be human, be human!

But how does one raise awareness of one's book without coming across as obnoxious?

With my own Year of Promotion looming, it's an issue that nags at me. The trust people used to have in social media is fast declining as we hear stories of fake news and stolen data. In this divisive, embattled climate, coming across as a greasy salesman will not sell any books.

In this divisive, embattled climate, coming across as a greasy salesman will not sell any books.



Perhaps I ought to stop pondering social media tools for a moment. Perhaps it would help if I stepped away from Twitter and Instagram and Facebook and remind myself about what really matters ... the book.

It is easy, in the desperate rush to help your book sell more, to forget what your book is all about. To forget the years you spent writing it, the daily struggle to lay down words, to know your characters, to live their journey on the page.

Remember these things because they are part of your book's story – the story you are going to tell the world. It is story that the world wants, you see. And every tiny element of your campaign – whether it be the biography you post on Amazon, the presentation you craft for your school visits, the pitches you write to get to appear in festivals, the myriad emails you compose to beg the help of friends and influencers, the content you post on Facebook – should be telling that story.

My publisher, David Fickling Books, tries to create a sense of the special by wrapping uncorrected proofs in a paper wrapper printed with the words 'where good stories begin'. The proof becomes more precious somehow. A collector's item. A row of uncorrected proofs (advance copies) on the shelf of my publisher, David Fickling Books. Note that they are numbered with Bone Talk at No. 26

If you can capture that first, honest impulse that led to the creation of your book, if you can convey the powerful drive that sent you on your journey to publication, then your audience will see you as a storyteller, not a self-promoter.

And there's nothing more compelling than a good story.

It was a lovely surprise to find Bone Talk listed in The Bookseller's
100 of the most exciting books published between April 2018 and March 2019. Eek!



On 24 March, Candy Gourlay will be speaking at SCBWI's Picture Books: Discover and Be Discovered seminar where she will be discussing the challenges that confront picture book authors and illustrators in marketing and promoting their work. Her first picture book, with illustrator Francesca Chessa Is it a Mermaid? (Otter-Barry Books), is out in April. Her third novel, Bone Talk (David Fickling Books), will be out in August.

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