Treasure from Manila: Pieces of Me

MANILA -- On the flight to Manila to visit my mother, I read Mister Pip by Lloyd Jones (thanks to Daoud for lending it to me), and it was just as dazzling as one critic described it. A blurb from the Observer said:

“Mister Pip is the first of Jones’ six novels to have travelled from his native New Zealand to the UK. It is so hoped that it won’t be the last.”

Discovering that there are more novels by an author you've just fallen in love with is like winning the bonus question in a game show. How wonderful that Lloyd Jones has more treasure for me to uncover ... IF of course UK publishers deign to bring them over.

I went to Bologna last year to attend the SCBWI Conference that precedes the Bologna Children’s Book Fair. I was stunned by the number of book stores, stuffed with books in Italian. Books I will never read unless I find a way to become proficient in the language.

Makes you think, what a disadvantage it is to have just one tongue and access to just one canon of publishing. All those books waiting to be read out there ...

I count myself lucky to have access to an ‘other’ world of books in my native Philippines –although bookselling sensibilities here definitely deserve the description ‘Developing’ in Developing World.

Charging around Manila visiting bookstores, I was at first disheartened by the thick wallpaper of Stephenie Meyer at shop entrances, the thicket of American titles in front and a puny selection of Filipino books hidden away in a corner. At several shops, I was escorted to the Filipino book section by staff who seemed bemused that anyone should be interested in local writing.

But at one book store, I was excited to find Filipino authors mixed in with Western authors, instead of hidden away in a dusty exotic corner. The display tables that other bookstores reserved for Stephenie Meyer and JK Rowling were given over to picture books that starred water buffalos and monkeys instead of fluffy bunnies and red-breasted robins, there were Filipino thrillers and romance novels, and even children’s historical fiction. Bravo, Power Books.

Here is some of the treasure I’ve amassed from trawling the bookstores:

Tiger on the Wall by Annette Flores Garcia, illustrated by Joanne de Leon
The Very Good Carabao by Rosario Calma and illustrated by Liza Flores.

I must have read these books a hundred times to my three year old nephew. These are published by the pioneering children's book publisher Adarna Books (someday I hope to become one of their authors!).

The graphic novel scene in Manila is exciting, with ranks of local graphic novels on display everywhere. I picked Martial Law Babies by Arnold Arre - because I was a child during the Martial Law years in the Philippines.


I was so excited to find young fiction by Carla M. Pacis - a middle grade chapter book Owl Friends that described the friendship between two refugees of the Pinatubo volcanic eruption, a tribal boy and a little girl. Enrique El Negro imagines the story of a Filipino boy named Enrique who is recorded by Pigafetta to have travelled with Magellan as a translator before Magellan's death in the Philippines in 1521.

Owl Friends, Illustrations by Yasmin S. Ong
Enrique El Negro, Illustrations by Mel Silvestre

I also found this beautifully designed book about the use of fruits and vegetables in folk medicine - it will be a treasure trove of research for my novels which always have Philippine folk elements.

Medicinal Fruits and Vegetables
by Jaime Z. Galvez Tan and Rebecca Marana-Galvez Tan

And then there was this fantastic fact book about the Aswang, a Filipino vampire monster - another great character to add to my bestiary. The Aswang Inquiry based on a report by Frank Lynch, retold and illustrated by Gilda Cordero-Fernando, one of my favourite Filipino authors. I also acquired collections of Filipino folk stories and legends, books on superstitions, DVDs of classic Filipino movies - all in the name of research ... and fun.

I stocked up on books by Jose Y Dalisay - a fabulous writer who really ought to be writing more short stories intead of newspaper columns. I am at the moment reading Killing Time in a Warm Place and it's brilliant.


In Mister Pip, a girl in Papua New Guinea is read the story of Pip from Great Expectations by her English school teacher:

Mister Watts had given us another piece of the world. I found I could go back to it as often as I liked. Not that I thought of what we were hearing as a story. No. I was hearing someone give an account of themselves

Bringing these books back from the Philippines is just like bringing back pieces of me that I had left behind long ago.
 
 

Ten simple pleasures on my visit to Manila

MANILA -- On Facebook, I keep getting invitations to create lists – 25 random thoughts, seven things about me, 10 unusual facts I know etc.

Well here’s a list. And all my online friends can breathe a sigh of relief ... I’m not tagging anyone to do the same.

Watching London engulfed in snow on TV, with the electric fan on full blast.


Drops of water on palm leaves after a tropical rainshower.


The Indonesian print on my mother’s pyjamas.


Seeing this lovely painting of Remedios Circle, a place near the flat where I used to live. It’s become quite rundown now, and I’m glad there’s a memory of its better days here.


Going to a good bookstore. Power Books in SM Megamall.


Stumbling upon an empty restaurant with a piano, late at night, while in the company of musician friends


Having my family go bananas playing bananagrams.


Watching my niece play volleyball for my university.


Enjoying the way Filipinos find their use of English so hilarious. Without Further Adieu illustrated by Elbert Or, published by Tahanan Books


... and PURPLE plants!

Picture Book Author Sue Eves visits the Slushpile

Welcome to the first of an occasional series in which authors who have managed to escape from the Slushpile visit our blog and give us hope! Our very first author is Sue Eves, whose book The Quiet Woman and the Noisy Dog will be out on the 5th of February.

Candy: thank you for visiting us on the slushpile even though you are on the brink of picture book fame and fortune.

Sue: ha! That’s what I thought the last time round! When my first picture book was published, I thought I’d never see the slushpile again. On the contrary, I spend most of my time here. I've spent the last several years writing and submitting and being rejected just like everybody else.
The only reason I've nipped out of it this time is because I happened to bump in to the submissions editor at a children's book event who suggested I submit my work.

Candy: Before you decided on a glittering career of rejection by children’s book agents and publishers, you had a pretty good job as a Tamba, the sweet little dragon in Tikkabilla. What was it like being a dragon?

Sue: Sometimes, a little cold! This is us on a sleigh ride to see Santa in Lapland, for a Christmas Special.

Sue freezing for her art in Lapland

Tamba had a brilliant view - I had to be hidden under a thermal mattress and a blanket.

It was physically demanding and I lost a stone in weight during filming. The whole body is involved in bringing the puppet to life. I had an upholstered trolley (a bit like a mechanic uses to wheel under a car) that I manoeuvred with my legs while lying on my back and held the puppet high over my head while singing and talking at the same time. Yes, a sweet little dragon!

At the time, I said it was my dream job and it was. Now I have to say that writing has taken over. I commissioned Neil Sterenberg, who made Tamba, to build me a dog puppet for author visits so I will still be puppeteering but I won't be hiding this time.

Sue and her dog puppet made by Neil Sterenberg

Candy: My daughter loved your surreal first book which featured a child climbing into bed with a cow. Where did you get that idea?

Sue: I wanted to write a story about food and a young child's significant times of day. We love food in our house and before my daughter started school, we were always cooking. She was the age when breakfast, lunch, tea and bedtimes were a familiar and comforting routine.

The teatime picture book text I submitted was rejected 11 times so I skipped tea and moved on to bedtime and writing about delay tactics - another story, a drink, anything to avoid having to go to sleep. Her first toy was a cow and when we lived in a flat, her bedroom overlooked a row of back gardens. We would sit in a rocking chair, my daughter and her cow, with a book and look out at the moon. The bedtime story became the one about a girl whose cow wouldn't go to bed.

Sue illustrated her first picture book, HIC!

Candy: Ailie Busby drew the lovely pictures for your new book The Quiet Woman and the Noisy Dog. She is an author in her own right. Did the process of working together involve a lot of negotiation?

Sue: We didn't really work together. I had finalised the text with the editor and agreed on AIlie Illustrating the story before signing the contract. I saw her proposed roughs for my text before I realised that she was the author/illustrator of Drat That Fat Cat! Many people will be familiar with her vibrant art. We didn't have any direct contact. We only emailed each other after the book was completed.

Candy: Can you tell those of us who are still stuck in the slush pile what it’s like working with a real editor?

Sue: The most amazing experience for me was working with the editors.

The submissions editor emailed me to start with, passing on revisions that the directorial editor had suggested. I revised extremely fast because the points the editor raised made complete sense. Funny how you can work on a text for years and years and not see a problem until someone else points it out. The editor knew exactly what she wanted out of the story and I think she pushed me until we both knew the story was finished.

Once Ailie was on board, the editor was in the hot seat passing messages between us and forwarding picture samples to me. I didn't need to give many illustration notes but the ones I had written in the margins were ones she used because they were part of telling the story. The text hardly changed at all during the illustration process, so I think the editor did a brilliant job and Ailie's illustrations are absolutely the ones I had in my head - only better!

Candy: What is the single most useful piece of advice you can give picture book writers stil struggling to get published?

Sue: Join SCBWI and participate in your regional events. If you can't get to any - network online. For UK residents - set up a profile on the SCBWI Ning thing!

Candy: And finally, the question that is burning in the hearts of all who inhabit the slushpile: is there hope?

Sue: I think of it as more of a Mosh Pit than a Slushpile.

We take it in turns to hitch a ride on someone’s shoulders to get a better view, unless we’re lucky enough to know someone in the band. I'm having a great time at the moment and anyone can get there who is really passionate about the band!

Candy: When is the official launch date?

Sue: The Quiet Woman and the Noisy Dog
is out on Thursday 5th Feb and you can pre-order it now.

Thanks for inviting me to the Slushpile, Candy.