Alongside a 16 year career in publishing Marcus Sedgwick established himself as a widely-admired writer of YA fiction; he is the winner of many prizes, most notably the Branford-Boase Award for a debut novel Floodland, and the Booktrust Teenage Prize for My Swordhand is Singing. His books have been shortlisted for over thirty other awards, including the Carnegie Medal (four times), the Edgar Allan Poe Award (twice) and the Guardian Children’s Fiction Prize (four times). His latest title in the UK is Midwinterblood.
Marcus in workshop mode
Notes from the Slushpile is a team blog maintained by eight friends who also happen to be children's authors at different stages of the publishing journey.
Thursday, 24 May 2012
Marcus Sedgwick and the Giant Killer Cats
by Addy Farmer
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how to write
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Marcus Sedgwick
Monday, 21 May 2012
Second Book Syndrome, or How putting one book behind you can unleash a brand new world
by Jo Wyton
The wondrous Addy Farmer blogged beautifully a few days ago on The Book of Letting Go, her story of finally dropping a manuscript that she's been devoting everything to for a long time. It's apparent from the comments that people left, that she isn't the only one.
The wondrous Addy Farmer blogged beautifully a few days ago on The Book of Letting Go, her story of finally dropping a manuscript that she's been devoting everything to for a long time. It's apparent from the comments that people left, that she isn't the only one.
Thursday, 17 May 2012
The Book of Letting Go
by Addy Farmer
Recently writing has been a little... frustrating. I have not yet turned to drink or drugs (unless you count coffee and biscuits) but the experience has left me weary and not a little sluggish; that is to say, I have felt like a slow-moving creature trying to get to the Other Side whilst in constant danger of being squashed. Why? It's simple and it's complicated.
I have shelved my teen novel.
Recently writing has been a little... frustrating. I have not yet turned to drink or drugs (unless you count coffee and biscuits) but the experience has left me weary and not a little sluggish; that is to say, I have felt like a slow-moving creature trying to get to the Other Side whilst in constant danger of being squashed. Why? It's simple and it's complicated.
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