First #UKYA Easter Egg hunt starts today!

by Teri Terry

Have you seen this banner here, there and everywhere today? It is the UKYA Easter Egg Hunt: and this is what it is, how it came about, who is involved, and what we hope to achieve.

A few months ago I was reading an article published in the UK about YA books that seemed to focus rather hard on books published in other countries.Well...one other country in particular: the US. There are SO many amazing authors in the UK, and one thing I hear over and over again from readers at events is how much it means to them to read a book that is actually set here, in a place that they recognise as their own.

There have been some efforts lately to promote what is on offer here in the UK: like the UK Extravaganza, a huge author event at Waterstones in Birmingham; regular UKYA twitter chats, tagged #UKYAchat; the Bookseller's first YA book prize; and back at the first YALC in London last July, a fringe event with bloggers and authors (this and much more on Tumblr, here): 

I was thinking, wouldn't it be great to run an online event to raise the profile of UKYA - both here, and internationally? But I needed an angle. 

Then my muse, Banrock, looked up from working hard on editing my next novel:

He pointed out that his favourite time of year was approaching! You know, when some other bunny - the Easter bunny - gets credit for leaving chocolate eggs lying about the place. Of course, we all know that Banrock is really responsible, just like he writes my books, but he is a generous bunny. Long ago he decided it was ok, so long as he got his cut of chocolate eggs and wine from my book launches.

That Banrock has some great ideas. But what to do to make it happen?

First up, I contacted the amazing-but-busily-finishing-a-book Candy Gourlay, and managed to distract her into the happy procrastination of designing a UKYA egg hunt banner, plus some lovely UKYA branded chocolate eggs, like this one:

Do not count this egg in the blog hop! it is merely an example egg, so you know what you are looking for on all the blogs. Doesn't it look yummy?

Then we contacted author friends and said wouldn't it be fun to have an egg hunt? And before long we had a lovely group of awesome enthusiastic authors. 

So here's the deal:

• every author is putting up a prize - signed books or whatever they like - as part of an Awesome Grand Prize
• we're all writing blogs, with not-very-subtly-hidden Read UKYA chocolate eggs scattered here and there
• the blogs are linked in a circle for a chocolate-UKYA-themed blog hop
• readers count the eggs and email the number to a specially set up email address
• one Awesome Grand Prize winner will be chosen at random from correct entries
• open until Easter sunday!
• open INTERNATIONALLY
• you can start it on the blog of any of the authors taking part (mine is here)

Here are the authors taking party*:

Teri Terry and Jeannie Waudby

Lucy Christopher and Sarah Benwell

Candy Gourlay

Lucy Coats

Emma Pass

CJ Daugherty

Kate Ormand

Sally Nicholls

Jo Cotterill

Katie Dale

Kathryn James

Helen Grant

Keris Stainton

Elizabeth Richards

Nicola Morgan

Sophia Bennett

Gillian Philip

Bryony Pearce

Dave Cousins

Sita Brahmachari

Tanya Landman

Louisa Reid

Joss Stirling (Julia Golding)

Samira Osman

Lee Weatherly

Sheena Wilkinson

Elizabeth Wein

Clare Furniss

Keren David

Sufiya Ahmed

*this was a typo, but seemed to fit so I left it there.

Thanks so much to everyone who have been jumping in and sorting things out while Candy and I have been vanishing to do school events and being vanquished by the dreaded lurgy.

Apologies to any lovely authors who missed out taking part this time: this has been a bit ad hoc and last minute. If we do it again next year, we'll do it with more lead time!

Now, please spread the word: UKYA is awesome; there is an Awesome Grand Prize; and everyone should follow the blog hop*, both for a chance to win, and to find some new authors and books to read!

*bunny gifs or dancing like a hopping bunny yourself are optional, but always appreciated. 

Why (Most) Authors Don't Need a Facebook Page.

By Candy Gourlay


If your name is JK Rowling, please ignore this post.

Facebook Page: formerly called a fan page, it's for businesses, brands, products, public figures. More

Facebook Profile: for individuals. More

So you're an author or about to become one, your publisher or maybe your agent thinks you ought to create a Facebook Page, so that you can start the social media ball rolling. Should you?

What do you want from your Facebook Page?

What Writers Can Learn from Illustrators

By Candy Gourlay

Writing novels is an honourable way to make a living, but sometimes you can feel like you're so deep in the cave of your imagination there is no such thing as real life.

To stop my brain turning into a cow-pat from spending too much time in the writer's cave, I've been trying to diversify a little bit. Last year, I attended a graphic novel course where I made comics. That was such a success that I signed up to attend last weekend's SCBWI Picture Book Retreat for writers and illustrators of picture books.

We stayed at Holland House, a beautiful Tudor retreat centre 

Alexis Deacon (Beegu, Slow Loris) set us up with mind expanding activities and Helen Stephens (Fleabag, How to Hide a Lion) showed us her sketchbooks and talked about how she developed her ideas.  Maria Tunney, Senior picture book editor for Walker, and Sarah Malley, deputy art director for Egmont, came to talk to us about the publishing process.

 
Alexis and Helen

Throughout the weekend with my sketchbook-toting colleagues, I kept getting little epiphanies about writing.

Here's a little list of what I learned from my weekend with illustrators.

1. Teach yourself to see in a different way.
Alexis warned the artists: "If you draw like a camera with no engagement with your subject you will end up with nothing." Simply replicating what you see is not enough. What makes a drawing a work of art is the uniqueness of the eye, the illustrator's ability to engage with the subject on an emotional level.

We writers would do well to take heed. While mastering our craft is important, we should never forget that for a book to move a reader, it needs not only words but heart.

2. Keep going until you find something fresh and new.
How can you make your good idea a great idea? "Don't just stop at 'the good idea',"Egmont's Sarah Malley urged us. "Keep going until you find something fresh and new." A good idea is just the beginning of your journey. Turning it into a good book demands real graft. Said Maria Tunney of Walker: "Ask every question until you've distilled (the idea) to its purest form."

We writers are often guilty, once we decide on a high concept, of hurrying our books to their conclusion. A good book is not just plot and arc and all those things we read about in How To books. A good book only reveals itself after an author has tried to find the answer to every question that her story asks of her.

3. Are you using your own voice?
Helen Stephens began her picture book career creating baby books with cute, flat characters that sparkled. "I felt like I was in this weird happy world of brightness," she said. "It looked like I was doing really well, but a secret voice kept saying: 'You are not using your real voice!'" Sometimes, she said, it felt like she would have to hold onto her arm and force herself to draw in that style. She went back to the sketching that she had loved as a young art student and it is through sketching that she now evolves her stories.

Helen making herself draw flat and sparkly things. From my sketchbook.

When we are only beginning to write, it is natural that we try to evoke the voices of our favourite writers. But we must make an effort to find our own. This is what will make our fiction unique. It is said there are only so many plots in existence on which to hang a story. What makes each book special if everyone's using the same plot? The author.

4. What you don't see might be the story.
Helen told the story of how she went to the zoo to draw lions, in the hope of writing a lion story. Day after day, she sat by the lion enclosure. But the lions never showed themselves. Then she realised that was it. That was the story: how to hide a lion.

"The story came out of being in the moment," Helen said. "Seeing an object, an incident, a funny quirky thing ... and then asking the questions that lead to a story."

I really struggle to "be in the moment" when I'm writing. I have to get out of the house to put my head in the right space before I can get writing. Only then can I begin asking the questions that lead to the story. The world of distraction around us makes it hard to be in the moment and we must do what we have to do to put ourselves in the right place to write.

5. Go out. See things.

We authors and illustrators love our books. Unfortunately the result can be that our books are homages to the books we love. Other books become our references. "It's a bit like living in a city where everything is pre-digested by someone else," Alexis said. "It's as if there's only one way to live."

Alexis made us go out into the beautiful gardens of the retreat house to spend a little time looking at things, see and experience the world for ourselves. Then he asked us back to describe what our very own, unadulterated, unreferenced observations. Here's a page from my sketchbook where I jotted down some of the descriptions people came back with of the birds, butterflies and various creepy crawlies they looked at.

The top right bubble is my rather garbled note of what Alexis said before he sent us out: It will be a challenge but you will find the words. And we did. 

With heartfelt thanks to Anne-Marie Perks and Bridget Strevens-Marzo for organising a fantastic weekend. And to Holland House for their gorgeous hospitality and accommodation.