Notes from the Slushpile is a team blog maintained by eight friends who also happen to be children's authors at different stages of the publishing journey.
In fact it reminded me of an army of YA novels (interestingly, they all seem to target a girl readership):
Justine's fans knowledgeably discussed this 'eyeless' phenomenon in YA books:
Elodie: What is with that “girl with the eyes cut off” thing being so popular on covers?
Karen: I’ve been told the reason for truncating the face on book covers is that if the eyes are shown, the story seems to be about that person on the cover, whereas if they’re not shown, the reader can more easily imagine herself in that person’s position. It sounds silly, but I think there’s probably some truth to it.
Gabrielle: Om em gee, you caught Maureen’s eye-missing curse! I do love it though, especially how she flicks the fairy. Totally suits the title. Now I wanna read!
Faith: Oh no ...Your publisher got bit by the eyeless girl bug. WHY? I’m still psyched about the book… but WHY, COVER ARTIST? WHY? THE EYELESS GIRL TREND MUST STOP! *breathes* ...
Here is Justine's reply:
As for the eyeless thing. As some of you know I’m not a fan . . . In comment no. 10 above Karen explains that one of the main reasons for the eyeless covers is that “if the eyes are shown, the story seems to be about that person on the cover, whereas if they’re not shown, the reader can more easily imagine herself in that person’s position.”
Also these covers sell. The identification thing may be why. Gazillions of teenage girls have responded positively to them over and over again. Indeed, Maureen and Diana’s books sell very nicely, thank you very much.
Ultimately, the cover is about selling the book. Hence the lack of eyes.
I think looking at these books each on their own, they are very attractive covers. But together on a shelf, they kinda look the same to me.
These are all cool writers I enjoy reading. Maybe they deserve more stand-out covers, huh, publishers?
My friend Elizabeth likens her experience of the AIDS world to riding her motorbike in India in the good old days when she worked there as a journalist.
Getting from A to B was straightforward enough. Except for the sacred cows. You spent all your time veering and dodging and braking to avoid the sacred cows.
And that's what her book The Wisdom of Whores is all about. The blurb on the book launch invitation declared:
An insider lifts the lid on the multi-billion pound AIDS industry - funny, fearless and ultimately shocking
Funny, fearless and ultimately shocking - that pretty much describes Elizabeth (in the fondest way possible of course)!
Unfortunately, having for days been looking forward to the free alcohol, er, book launch at the Wellcome Collection branch of Blackwells, I was not very well on the day.
Here I am looking decidedly blah amongst all Elizabeth's well wishers:
The Wellcome exhibition focusing on Death didn't make me feel any better. This is what greets you as you enter:
And this:
Elizabeth however was as awesomely vivacious as ever, showing no signs of any previous pre-launch nerves. Here's the author:
And here are the books! Aaaah. The tills were ringing as Elizabeth's friends obligingly bought their fourth copies.
if you look closely at the picture, you will note the "£2 OFF" stickers on every cover. The sticker on my copy chopped the byline off so that it read "By Elizabeth Pis -"
Sadly my blahness made it impossible to stay for the carousing (which I'd been looking forward to for WEEEEEKS!) after the launch, I had to crawl back into my sickbed.
But then I sat in on a film-makers' convention in Manila (ages ago) and noticed that you had to wear a lot of make up and dress like an ice cream dessert.
So I became a writer.
Comes the internet, digital cameras, YouTube and the advent of book trailers and I decided I'd still love to have a go at film.
I mean, you only have to watch a few videos on YouTube to realise that the bar can't be that high. I took the advice of Edgar Wright, director of Hot Fuzz:
People always ask me how to become a director, and I always reply: Get camera. Start shooting. it's not great English but it's good advice. No matter what your background or experience, just get out there.
The Guardian Guide to Making Video (Jan 2008)
I went through my list of writerly friends, looking for gullible, willing and attractive talent to exploit and decided Elizabeth (whose sex-drugs-and-AIDS book The Wisdom of Whores is coming out next week! Buy it! You know you need to!) would be an ideal victim er, subject. She is pictured above preparing to throw a spear.
My equipment was rather thrown together - but hey, Edgar Wright, also says:
Don't let a low budget stop you. Having no money means you have no real limits. Just go for it. No excuses.
So what equipment does one need to create a book trailer?
1. Camcorder - my old hi-8 camcorder was last used filming my daughter falling out of her cot (she's nine now). The battery no longer charges so we had to keep it plugged into the wall. No problem.
2. Tripod - I had my late father-in-law's old tripod but it didn't have the right connection to my camcorder. So I decided to handcarry the camcorder. I brought up three kids, surely that means I've got steady hands.
3. Light - we had no lights but hey, there was a lot of sunshine around.
4. Sound - thankfully my old hi-8 camcorder had a socket for plugging in a microphone. And I had only recently blagged a proper microphone from a BBC friend (I was thinking of experimenting with podcasting) . In fact the microphone was the last piece of BBC equipment out of a news hotspot during one of the Beeb's quick escape routines - but that's another story ...
5. Red lipstick - presentation is key.
So Elizabeth came with a rather bedraggled sheet of paper listing the points she had to make. Lipstick was duly applied, camera plugged in. We could only shoot a certain distance from the open door because the power cable was rather short. No problem, no problem.
We shot a few lines and it was good. Then it began to rain. So we moved inside. Setting up inside involved moving all the furniture away from the door (we needed the natural light from the doorway).
We needed Elizabeth to sit because if she stood, the background would include some unattractive grey window frames. Also without the chair, the camcorder's power cable unhelpfully kept making cameo appearances.
Because we had no tripod, I had to stand rather painfully with bended knees. At one point the knees gave way - you will notice in the intro that in one shot the picture appears to turn over. That wasn't intentional fancy schmancy video work. That was me falling over. Having physio now.
Elizabeth had to hold the microphone, a rather tumescent presence in our video which happened to be about s-e-x. Without the mic you could hear the pitter-patter of the rain, the occasional rumble of thunder, and the neighbour's stereo blaring from an open window.
We tried to recruit some small people from the next room to act as microphone stands but they demanded compensation and Equity membership. So keeping faith with the traditions of indie cinema, we coped.
Here's the finished product -
The video was edited using Roxio Easy Media Creator - which pretty much does everything from capturing and editing music to cutting videos. I suppose next time I experiment with book trailers, it would be more appropriate for this blog if I sought a subject who's actually writing a book for children.
And in the spirit of committed geekery, I've started up my own channel on YouTube:
