Eoin Colfer's US Tour

Eoin Colfer, everyone's favourite massively successful bestselling children's author with a way on the stage, is on this huge US road trip. This is the virtual Artemis Fowl bus:

He's doing DAILY vlogs (video blogs, you ninnies!) on the snazzy Artemis Fowl websitewhich reveals more budget than the usual happy-hands-at-home author vlog. Check it out by clicking on this picture:

Notes from Slushpile Readers

So Lindsey from Puffin read my post on the DFC people's comic book workshops and said if my nine year old liked comics, she would probably like Diary of a Wimpy Kid by Jeff Kinney.

This really interests me - the previous time I blogged about the connect between comic books/graphic novels and traditional children's publishing, I had a spike - from my daily readership of 300-500 a day, almost FOUR THOUSAND people read Comic Books Are Not Just For Klingon Speakers - about the rising interest in comic books for kids in the US! What does that mean? Should UK publishers (notoriously resistant to comics) pay attention?

Here's a sample page from Diary of a Wimpy Kid (blurb: "a novel in cartoons":

Lindsey was right! My nine-year-old devoured it like a bag of sweets! And slushpilers should note that Jeff Kinney himself has had an interesting journey to publishing - working on the book for six years before publishing it in daily instalments at Pearson's educational website FunBrain.com (bite-sized blogs targeted at various ages and differentiated between boys and girls are another interesting feature). Thanks for that, Lindsey!

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Speaking of Puffin - Puffin is one of the few children's publishers who actually maintain a readable blog (in the UK, in the US they all blog). Visit the Puffin Blog here ... but do try to avoid any stalker, publish-me-now-or-else behaviour.

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People who've attended one of my talks on authors online may have heard me talk about the potential ofgroup blogs for overworked authors - this way, authors can share the burden, expand their audiences ... you get what I mean. Well, my author pal Fiona Dunbar (Pink Chameleon, The Truth Cookie) kindly forwarded this link over the weekend to the Awfully Big Adventure blog recently started by a group of children's authors.

Do visit, leave comments etc etc. I think it's an awfully terrific thing to do! Way to go!

Fiona also pointed out Sally Nichols' (Ways to Live Forever) post featuring this cartoon from Tales from the Slush Pile over at the Children's Boookshelf at Publisher's Weekly. (Thanks, Fiona).

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And speaking of Fiona, she's just rather hilariously blogged (on her brand spanking new blog) that some big powerful telly people are thinking of basing a sitcom on her Truth Cookie series!

These things usually take tiiiiiiiiiiime. So let's all cross our legs and fingers and wish upon stars that it will happen. Soon!

Children's Books: Dissed through the Years

I was discussing writing with a good friend the other day, how I felt every novel I completed was practice towards the next one. His well-meaning response was:

And then when you're ready, you can write an adult novel.

Sigh. An adult novel is always a possibility (maybe when I'm 80 and thinking about oldie stuff) but writing for children is as tough and as deserving of regard as writing for adults and no way is it a little league trial before moving on to the big league. I think.

Which leads me to this great article from the New Yorker which I found signposted on the Achuka blog (thanks, Achuka!) - a must read for all who love books for children.

It is the story of the clash between EB White (Stuart Little, Charlotte's Web) and the legendary librarian/critic Anne Carol Moore (1871 to 1961), to whom the world owes the elevation of children's books to a status that deserved bespoke libraries and book reviews. And yet she subscribed to children's books as twee, cute, sentimental and worthy objects.

EB White described their quarrel thus:

Children can sail easily over the fence that separates reality from make-believe. They go over it like little springboks. A fence that can throw a librarian is as nothing to a child.

It was a tough business then, it's an even tougher business now - speaking of which, I have just been asked to do more work on one of my manuscripts. Argh!

All ye who are near despair over their manuscripts can take heed of this poster I've just put up on my study wall:

Keep Calm and Carry On.

Amen.