Rewriting, Rewriting, Everyone's Rewriting

How odd. Nobody says anything about rewriting novels for what seems like ages and then ... three come along at once!

Sarwat Chadda, whose novel The Devil's Kiss won a slot in SCBWI's Undiscovered Voices anthology, blogs about the shredding, the rewriting, and the rewriting again that his novel has undergone since he wrote a first version in 2004:

What I'm trying to say is really, it's a LONG LONG slog, and I'm still working on my first book. And my book's pretty short. I would also reckon I'm pretty fortunate in that the agent and book deal came pretty quickly-ish (looking back it seems like things were always moving forward, so that was encouraging).

Libba Bray (A Great and Terrible Beauty) likens the process of rewriting to a love affair that starts thus:

I love this book. And it loves me. I never want to be without this book. Never, ever. What? Were you saying something? I'm sorry I can't hear you because my book just said the best thing ever. Wait--just listen to this sentence. I know! Isn't my book so dreamy? I love you, book. Do you love me? Of course you do. OMG--we said that at the SAME TIME! WE ARE SO IN TUNE! This is going to be the best book ever written. Oh, whisper that again. I Pulitzer you too, honey. Sigh.

And ends up (as deadline looms):

F*@*#&ing book. I hate you. I wish I'd never met you. YOU MAKE MY LIFE HELL! HELL! I wish there were another word for hell but my thesaurus says there's not. My mother was right. I should never have gotten involved with you. God, what was I thinking starting up something with this book? Jesus. Did you hear that? Do you ever even listen to what you spew all over the page? God. Like freaking nails being driven into my eardrums and right into my brain. Miserable craptard. I wish you'd die.

Read Libba's entire post and weep (with laughter).

Libba points to Justine Larbalestier (Magic or Madness) whose moods turn on what sort of writing day she has had:

We writers are a neurotic whingey bunch. When we are in that kind of state it’s best not to remind us that the day before we thought it was the best book ever written. All you can do is nod and smile and make sympathetic noises and offer us food or liquid we find particularly comforting.

Only when we’ve calmed down is it safe to mention that we have expressed similar sentiments in the past. That, in fact, we have said the exact same thing about every book we’ve ever written. And yet we managed to finish those books without the world ending.

I myself have pressed 'send' on revisions twice this month (and the month isn't even over yet!).

It becomes clear that the revision process is just like history and nagging mothers.

It repeats itself.

Font Comedy: Appealing to Your Inner Geek

Over at Jane's There Are No Rules (which has moved swiftly up my list of must read blogs) a hilarious video that appeals to my inner geek!

Writers: Thou shalt Not Be Boring

So today's Guardian G2 cover story was about Reader's Block. Oh I know that one. Had it bad in my pregnancy years - a book seems like too much of a long term investment when your main priority is to spot the sick dribbling down the back of your shirt before someone else does (or becoming an expert at fashion camouflage, as comic Victoria Wood once suggested, finding clothes the colour of poo).

Apparently, though we Brits trump other Europeans in buying books, we are not very good at reading what we buy. Writes Stuart Jeffries in the Guardian:

It is often said that everybody has a novel in them. The current problem is that so many of us bring that novel out of ourselves and get it published. It would help cure reader's block if lots of people resolved not to. But that is not what is happening. Instead, we are made so anxious by the accelerating onrush of books, especially novels, that we say: "Enough! I can't - I won't - read the winner of the Orange prize, whatever Mariella Frostrup says."

This is not a time to blame the attractions of other media even though other media do play a part:

According to Teletext's 2007 study of 4,000 Britons' reading habits, the top reasons for not reading are: too tired (48%); watch TV instead (46%); play computer games (26%); work late (21%).

TV, the internet, computer games are all worthy competitors and the onus is on us writers (especially in the children's book world) to keep our readers reading.

My advice to younger readers has always been: if you're getting bored, skip paragraphs until you get to something that interests you. Serves the author right for being boring.

It's the perfect time to revisit the tenth commandment of crimewriter Elmore Leonard's classic Ten Rules on Writing:

Try to leave out the part that readers tend to skip.

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The article had a sidebar 'The Author's View in which they asked authors like Lionel Shriver, Alain de Botton and Germain Greer three questions: Have you experienced reader's block? How do you overcome it? Could you recommed a book to get people reading again?

I was very happy to see Joanne Harris (now officially one of us since the publcation of her children's fantasy Runemarks) say that she overcame reader's block by reading graphic novels. That, and the fact that Ray Bradbury is one of her heroes makes her a really cool author in my book.

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Hey Star Wars fans, today's Eoin Colfer vlog, some Lucasfilm people attend his show and take him back to Lucasfilms for an exclusive tour that has him playing with Darth Vader's sword (oh and stealing the Artemis Fowl bus while the driver was off on a break and trying to flip it over).

Eoin as he drives away with the bus: "When the driver went off for a cup of coffee, I hit him on the head with my boot and stole his bus."

I wonder if they're planning to make a film about his travels.