The Many Faces of Diversity

By Candy Gourlay

So let's be honest. We authors are terrified of diversity in children's books.

Are we doing it right? Are we offending anyone by not including/including a character who is 'other' in our stories? Who is allowed to write about other cultures/races/sexual orientations? Who should be offended? Who should just keep their mouths shut?

I have publicly expressed some views on diversity (read Growing up I thought Filipinos were not allowed to be in books), but in the main, I have to confess I have been careful not to step in to the public spats that burn across the world of social media like brushfires that are hard to put out. I keep my counsel not just because I am so busy it feels like I'm drowning, but because the heat is intense.

And yet here I am, described by many as one of the UK's 'diverse authors'.

Can You See A Sunset Without Looking? Exploring the Visual Imagination

by Addy Farmer

I wonder if you can summon up the image of a glorious sunset inside your head? Can you capture the nuance of colour in the sky, the shape of the sun, the texture of the scene? I'll leave that one with you for now.

This ability is sometimes referred to as 'the mind's eye':

Here be Sarah Mussi - How to End a Story

Candy Gourlay interviews Sarah Mussi on the final stop of the Here Be Dragons Blog Tour

Candy Gourlay: I keep banging on about how the book industry is putting too much emphasis on pitch and opening hooks to the detriment of the rest of the work. What about the middle? I find myself complaining. What about the ending?  As it happens, my lovely pal Sarah Mussi has been stomping through a blog tour to promote her new book Here Be Dragons. In the course of the tour, Sarah's blogged about the way she structured her novel along the lines of the three-act structure. Viz:

Three act structure: http://tinyurl.com/ywveuj | Flickr - Photo 

So far, she's talked about The Hook, The Inciting Incident, The First Turning Point, The Point of No Return, The Darkest Hour, and Act 3 and The Climax. Notes from the Slushpile is her seventh and final stop. Lucky us, she's offered to discuss: