World Book Day week - how can children find books they really love?

by Paula Harrison

Cupcakes with book covers - a perfect combination! Pic taken at a SCBWI party.

The week of World Book Day (and often the week before and after it) see many authors scurrying around the country armed with notes and power points and a myriad of props, ready to entertain and inspire lots of children during school visits. I've been doing a bit of scurrying myself and enjoying the chance to meet readers which is always brilliant at any time of year. Seeing so many children in such a short space of time, gives me lots of opportunities to find out what they're reading, what they think of books and generally reflect on who I'm writing for.

So I wanted to blog about all this and I have a few thoughts in no particular order...

Firstly, I think access to books and access to a wide range of books is a problem and probably one which is worsening. When asked what they like best to read, many children will list the same books on the bestseller lists - well there's a reason that they're bestsellers! Dig a little deeper and I've found that the children referencing these books often own few books or own none at all. They know the book through borrowing it from the school library or being read to in their class. They're not always getting the opportunity to try out a broader range of books on different topics and genres. This also has implications for diversity in books which we know is already a problem that many publishers are trying to address.

It feels to me as if the range of books being presented to many children is narrowing. I think this is a problem for young readers and could disadvantage them in the future. Not everyone likes the same kind of thing. Yet if children are being offered the same small range over a number of years they may never develop the same love of reading as they would have if they'd been offered the chance to try a wide mix. They may never find that particular kind of book that they love so much it turns them into a reader. Children should choose from all kinds of family stories, nature stories, stories with fantastical kingdoms or fairy tale characters, and more! Where are these alternative books? They're already out there, actually. There's a huge range of different children's fiction and non-fiction being published that's fantastic quality. Publishers are continuing to try new ideas and new voices in the hope of a book breaking through. But I worry that in the current climate they will eventually narrow their lists and the range will narrow for good.

So who are our readers and what do they want? Going round schools, many of whom also have book fairs during WBD week I also noticed that I'm not just writing for the children. I'm writing for the parents and grandparents who buy the books and influence their children's decision. Some may prefer a name they know or a celebrity name which gives them a sense of safety. They feel they know what they're getting when they part with their money. So is there a way that we can help parents and grandparents feel more reassured when they take a chance on a book their child wants even though they don't recognise the name? I think booksellers and librarians have an important role here, making recommendations and writing those little notes on the book shop shelves - something that I have seen working in my local Waterstones book shop and something I know many indie book shops do so well.

So we as authors are not just writing for children, but for parents and for the gatekeepers - the publishers, booksellers, librarians and teachers that may champion our story. I've heard writers talking many times about how they worry their book may not be picked up because it's "too quiet". In other words, it doesn't have that big commercial hook. I would argue, that certainly in the middle grade book (aged 9 +) category it's the "quiet" books where a debut author may find a space for themselves. Those writers who have carved a living by writing the "big commercial hook" type stories - often humorous stories in the vein of Roald Dahl - are having the tougher time. That space has been taken mainly by celebrity authors who lend their name to books that are often ghost written.

This is a book shelf at a well known supermarket, picture taken by a fellow writer. All one kind of book. All celebrity authors.



So where do we go from here? How do we continue to offer children a wide range of books so that they can learn to love reading with all the benefits that brings? I don't have all the answers to this but I believe libraries must play a crucial role in solving the problem. Lots of us have been trying to fight for libraries for a long time but we must keep going - this issue is too important for us to give up.

The Writer's Journey - How Long!?!

by Em Lynas

Last year was weird. I signed with agent Amber Caraveo of Skylark Literary and landed a 3 book deal with Kate Wilson of Nosy Crow.

Next year is set to be weirder as I write two more books in the Toadspit Towers series and promote the first.

It feels weird because it’s led me to do a bit of thinking and wondering about time: how it’s passed and how and why I kept writing over...

EIGHTEEN YEARS!

Eighteen years from ‘I think I’ll become a writer!’ to ‘I have a book coming out in August!’

Why did it take me so long? What were my steps? What led me to here? What led me to Toadspit Towers, School for Witches and the deal with Nosy Crow. If I'd known it would take so long would I have even started?

Let’s go back to 1999. Yes, the last century! Before the millennium! I was a teacher. A reception teacher who needed to get out.

I had A PLAN! Become a picture book writer and never suffer an OFSTED ever again!

I was obviously an expert in picture books (reception teacher remember) so, I wrote lots of picture books. They were bad picture books. They all lacked something. But not always the same something. They were amateurish.

Some of these books had:

No lead character, tick; no conflict, tick; no plot, tick; no theme, tick.

Comedy? Tick. Yes. They all had comedy.

I kept writing because:

I had great feedback from agents and editors. I even had a near miss from a big publisher. They kept Maybe the Baby for a year and then said no. That was a bad ending. The book’s ending was bad too.

What next? Stick to picture books and learn my craft? Of course not. Picture books were obviously far too hard (everyone said so) and I needed to try something different, something easier.

Aha! PLAN 2 Become a comedy sketch writer.

Link provided to
Lily's Tassels
 on request.

I signed up for a comedy class. It turned out to be less a class and more a boozy gang of very sweary comics (think VIZ but actual live people) led by a not-very-funny outspoken woman with a not-very-funny act that involved extreme piercing and tassel twirling. 

I kept writing because:

This group led to my friend and I meeting with a local comedian who had an idea for a comedy drama script.

Aha! PLAN 3 – Become a script writer.

We wrote the script for From Fags to Riches. Six episode outlines and one full script of episode one. That script is waiting to be discovered. It’s good. One day it may find a home.

This script has:

An interesting premise, tick; a well-structured plot, tick; believable characters, tick; loads of peril, tick; comedy and pathos, tick; well-known actors and actresses interested in taking parts, tick.

No production company deals, tick; it’s not my voice, tick.

I kept writing because:

I was getting a sense of my voice. I had my own ideas. They wouldn’t go away. I’d learned a lot about structure while we wrote the script. But what next? Stick to scriptwriting? Nope. I love books. I love comedy. Mmm. Comedy.

Aha! PLAN 4 Write a book. A comedy for adults.

Mother on the Mantelpiece. I still like this book. Brenda, school secretary, is a middle-aged woman being haunted by her mother who still ‘knows best’ and is ruling her life from the grave.

This book has:

an interesting premise, tick; an unrequited romance with the bloke downstairs, tick; believable characters, tick; comedy and pathos, tick; a beginning, tick.

No plot, tick; no ending; tick.

By now I’d been to a few scriptwriting courses and creative writing courses, and had begun to engage with other writers. I joined the online critique group You Write On and Harper Collins critique site Authonomy.

What a great procrastination! What an emotional rollercoaster. What a waste of writing time. BUT I did learn lessons. It was an introduction to objectivity versus subjectivity. ‘Your characters are so believable!’ ‘Your characters aren’t believable.’ ‘Love your premise.’ ‘Hate your premise.’ ‘Your plot is so well paced.’ ‘Your plot is too frantic.’

I kept writing because:

People at courses and online laughed. They found my writing funny. That was amazing.

Aha! PLAN 5 Write a different book. A really silly book for kids. The daftest book I can write.

I loved Tony Ross’s book Don’t Do That! About a kid who gets their finger stuck up their nose and it reminded me of the saying – If The Wind Changes You’ll Stay Like That! A warning not to pull faces.

And so Gurner Gobbit and the Bloodcurdling Bug-Eyed Jawbreaker was born. This was the first novel that I actually completed. I loved it. I loved Gurner and his recklessness, and his best friend Pete who was obsessed with reporting Gurner’s antics. It was whacky – set in an alternative Lancashire where extreme face pulling was the norm. But certain faces were BANNED as too dangerous. Pulling the BANNED faces had consequences.

This book has:

A ridiculous premise, tick; bonkers characters, tick; crazy events, tick; comedy conflict, tick; logical plot, tick.

Really poor set up of the events and ending, tick; a protagonist who can’t speak because his face is distorted, tick.

I kept writing because:

I joined SCBWI. Gurner won an honorary mention in The 2010 Undiscovered Voices. An editor saw the book on Authonomy and expressed interest. People thought it was funny.

Next plan. PLAN 6. 6! Get a book ready for the next Undiscovered Voices competition. Maybe twist a traditional tale?

To Destiny or Death! Prince Bob is turned into a frog by the evil Hagatha and it’s all King Fred’s fault!  I love King Fred and his food related idiolect. Another completed book! And it’s in my voice.

This book has:

A big heart, tick; strong characters, tick; a structured plot, tick; conflict and peril, tick; logical set up and motivations, tick; funny dialogue, tick.

A protagonist who can’t speak because he’s a frog, tick. There is now a pattern of non-speaking protagonists. If 2 makes a pattern.

I kept writing because:

To Destiny or Death! won a place in the 2012 Undiscovered Voices competition. I signed with an agent. I had publishers interested. It failed to get past sales and marketing.

Note the date. 2012

We’re now thirteen years into the journey to publication. I haven’t mentioned the other picture books I’ve written, the two teen books planned and not written, volunteering for SCBWI, setting up the poetry website the funeverse with SCBWI friends, joining the blog Notes from the Slushpile with even more SCBWI friends. I'd become very busy at being a writer.

Back to the timeline.

This was a dip time. A bit of a depressing time. I considered not writing. I felt I knew what I was doing now. I understood structure, set up, characterisation etc etc etc but I was failing at the last hurdle – being published. It was very difficult to maintain any enthusiasm for submitting and sharing my work with the publishing industry.

I kept writing because:

I still loved writing and I had another story. A story that still makes me smile. Florence and the Meanies – Cupcake Catastrophe! I also wrote book 2 Canine Calamity!

Based on the Cinderella dynamic, Florence and her two fairy godmothers must save the princes from the evil Meanies. Florence was a lot of fun to write, especially because the two fairy godmothers Hatty and Dotty are such contrasts of good and naughty. But having parted company with my agent I wasn’t sure I wanted to put Florence (and me) through the submission process. So I worked with my daughter Katherine Lynas to produce an illustrated version for the kindle and we did the layout for a createspace book too. I’ve since withdrawn the book because ... I have a plan for Florence.

These books have:

Everything I want them to have especially warmth, heart, my voice and my daughter's fabulous illustrations.

I kept writing because:

A new character popped up with a very personal and unique story. Daisy knew what she didn’t want. She definitely didn’t want to go to witch school. I wrote her story. I re-wrote it. I wrote it again. That was in 2015.

Then, in 2016 Prince Bob won a SCBWI BI slushpile challenge with Amber Caraveo and she said the magic words – what else have you got? And I answered – I have Daisy! She’s an actress who’s been dumped at Toadspit Towers, School for Witches, by her granny. Amber fell for Daisy. She fell for the voice.

Pg 93 in the catalogue! Click here!

You can read about Daisy on the Nosy Crow website. In August 2017 she will have her book birthday and I will be a published author.

So, EIGHTEEN LONG YEARS! Could I have done it sooner? Was there a short cut I missed? What if I’d done a creative writing degree? What if I’d done an MA? Would I have climbed the learning curve faster? Would I have been published faster? I don’t think so. No. Not me. There was so much to discover and learn. Not just about the techniques of writing but I had to discover my voice, discover what I cared about and discover what motivated me.

I thought comedy was the motivation, I thought I just wanted to make children laugh. But comedy is just the genre I use to write about the things I care about. It just took me a while to discover what those things were. 

What was the main thing that gave me the confidence to keep writing? SCBWI BI. Winning Undiscovered Voices and the Slushpile Challenge was incredibly motivating. I had to be doing something right if I'd won those. And you should never underestimate the power of SCBWI friendships. They just won't let you give up!

If you're writing for children and are a member of SCBWI BI (or Europe) you can enter these amazing competitions for free. Do it.

Em Lynas

Feel free to follow me on twitter and facebook if you are at all interested in books and writing for children. You can nip over to my website emlynas but I'm not often in.

A Silly Tale From the Slushpile by Em Lynas

Starring

Em Lynas as The Author

Many publishers as The Acquisitions Monster

Candy Gourlay as The Internet Fairy

Amber Caraveo as The Agent Angel

The Nosy Crow Team as The Awesome Publishing Guru

Once upon a time there was an author tip tapping away in a lonely garret writing rubbish. Total rubbish - but funny rubbish. Over many years, as her slushpile grew, so did the rejections and eventually she developed SYMPTOMS. Nervous tics, blank stares, twitching fingers and, worst of all, doubt.