Book Trailers on My Mind

I've been giving book trailers some thought recently. I've just realised that I have two rather talented brothers in the film-making business (one does animation the other is a corporate film maker) ... I wonder if they would do a skills exchange and make me some videos?

While thinking, I was scanning the web of course and discovered that someone has already put up a book trailer website! BookScreening.com goes by the catchline 'Know what to read next'. Check out this rather fabulous video for Neil Gaiman's The Graveyard Book, voiced by the author:

The Graveyard Book Trailer Narrated by Neil Gaiman from The Graveyard Book Tour on Vimeo.

While you're browsing the site, here's a geeky thing to notice - the videos from the video-sharing site Vimeo are much better quality than YouTube.

Verna Wilkins and the Promise of Change in Our Own Lifetimes

BREAKING NEWS This morning Barack Obama was declared the next president of the United States and suddenly the world has changed irretrievably . Americans are celebrating, yes, but so are Africans and Indonesians - their connections to Obama may be tenuous, but in his victory, they can suddenly see possibility. And they are not the only ones. "I didn't think this would happen in my lifetime," says one pundit who was old enough to recall not being allowed to vote 40 years ago in America.

After today, In My Lifetime is possible for all our impossible dreams. Well done, America - and good luck.

So I was really really excited to blog this week because I attended the Patrick Hardy Lecture which featured one of my heroes, Verna Wilkins (pictured) of Tamarind Books. It just seemed so appropriate on the eve that some history might (might!) be made in the United States.

But unfortunately the sock monster (you know, the one who steals socks) must have escaped from the washing machine while I wasn't looking and nicked the notebook where I recorded almost every single word.

So all I have to do this without notes which doesn't do justice to this wonderful lady.

Verna says she woke up to her true calling when her then small son came home from school one day with a self portrait that he'd coloured in pink. Apparently the teacher only had pink crayons.

This reminds me of the day son number one (now 17) came back from nursery with a picture he'd drawn of our family. There was Dad, pink skin (which is almost true but sometimes he looks even milkier); there was my son, also pink (which was true at the time but no longer since he took up rugby and other outdoor bone-crushing pursuits). And then there was Mum, as in me - unmistakeable in my glasses ... but with bright blue skin.

Unlike Verna's son, my boy had solved the problem of the missing tint by grabbing the nearest other-colour.

What does it mean? We like to say that children are colour blind but they're not. Yes they are colour blind in the sense that they do not care to judge people on the basis of race like some adults do. But they are NOT colour blind in the sense that they can see!

They can see that they are a certain colour - unlike the teacher who couldn't see that her pupil was not pink-skinned. They notice that there are differences between people - like my son noticing that I was different skinned from him and his father.

And Verna's big point is that so many children in the UK - those with disability, and those with dual heritage like mine, and especially those on the more ochrey end of the colour scale - simply don't see themselves in the books they read.

It is as if they are invisible.

Verna set up Tamarind to redress the balance featuring children in many different hues, two-tone pairs of parents (like me and my husband), and wheelchairs and disability as part of the furniture. In Boots for the Bridesmaid, the brown-skinned little girl in the story has a white mum who also happens to use a wheelchair - but it's never mentioned in the text. The blurb on the cover of her catalogue is "In the Picture".

And Verna sets her rainbow kids in real kids situations.

No, not edgy stories about life on a gritty estate and racism and exclusion.

Situations that matter to REAL KIDS - like losing a tooth, birthdays, and learning to count.

Just because the images feature a range of skin tones doesn't mean they can only be read by children with permanent tans. "These books are for all children," Verna says. Its a mantra repeated over and over again in the Tamarind catalogue - "For ALL children in any environment".

Of course, 20 years on from when Verna started out, things are better. We have Malorie Blackman. And Benjamin Zephanaiah. And after years of Verna hand-selling her books from bookseller to bookseller with a bag of samples, Tamarind has become an imprint of Random House. (Verna, Malorie and Benjamin probably have a virtual monopoly of school visits during Black History Month - which in itself maybe says something about diversity in children's publishing)

After her talk, Verna took a few questions from the audience which were mainly writers, publishers and editors. One editor said, and I have to paraphrase because the sock monster took my notebook: part of the problem is that the submissions we receive do not often reflect the diversity we see in Tamarind.

Verna's response was that for there to be more submissions of this sort, more books had to be published.

As an imprint of Random House, Tamarind now has the resources to expand its rainbow:

Having established its reputation, Tamarind is ready to focus more on other cultures, including South-east Asia, and to develop more books 
for the fast-growing dual-heritage market. Read the whole Bookseller article

But in an ideal world, there would be no gap in the market; no burning need for a Tamarind Books - and no need for Black History Month.

P.S. Writers take note: Tamarind is actively looking for submissions in the area of young fiction and chapter books.

Why Age Will Never Wither Nor Custom Stale a Book's Infinite Variety

Have you guys noticed that the new poster girl for the Sony E-reader is no less than Alice in Wonderland herself?

You can watch Alice shrink and enter the Sony eReader on this page.

Cds, ipods and the internet have well and truly killed the vinyl record. The email has practically ended the use of the fax. If even Alice in Wonderland is willing to front a device that may help hasten the demise of the book, then what hope is there? Is this the beginning of the end for the book?

Well.

I was at the 18th birthday tea of our lovely young friend, Ati (happy birthday!) where I came face to face with The Reason Why Age Will Never Wither Nor Custom Stale a Book's Infinite Variety.

At the party I met Michael and Linda Falter who are publishers of a kind unlikely to be harrassed by wannabe children's authors.

Michael and Linda publish manuscripts ... ANCIENT manuscripts.

This is the limited facsimile edition of The Rothschild Miscellany,
reproduced here with the kind permission of Facsimile Editions Limited

Their company is called, appropriately, Facsimile Editions:

Since its foundation in 1981, Facsimile Editions has become world-renowned for reproducing ancient manuscripts with unparalleled accuracy, careful scholarship and meticulous attention to detail.

We've all probably seen illuminated texts in the dusty glass display cases of museums and libraries.

Well, they showed me one of their facsimile editions, the Rothschild Miscellany, and I wanted to weep. Here it was to hold in one's hands, the minute illustrations painstakingly reproduced, the gold hand-tipped, even the worm holes that get progressively smaller as you turn the pages are retained.

Beautiful, beautiful, beautiful. I wanted to rub my face against it but that might have been alarming so I focused on not drooling as I gazed upon its pages.

The Miscellany was a collection of "miscellaneous yet connected texts ... illustrating almost every custom of daily life in a Jewish Renaissance household". It was compiled by a wealthy Jew in 1479. My husband describes it (wittily?) as a "rich guy's Daily Me" of the period. You can read more about it here.

Their latest releasd work is the Book of Esther, and I can only urge you to go to this page of their website and click the green arrow buttons to see the scroll unscroll. The story of Esther unfolds from right to left, in intricately illustrated scenes which change progressively as the scroll unrolls.

Illustrators, behold!

This is the limited facsimile edition of an image from The Megillat Esther, reproduced here with the kind permission of Facsimile Editions Limited

I was devastated to hear that they didn't have a showroom where I could bring some booky friends and spend time with these gorgeous objects.

Seeing and touching these books, it was so totally clear to me.

Books are too fabulous to lose and we should do all that is in our power to ensure their survival in the face of all the realities of the Digital Age.